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                  <text>1846</text>
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              <text>New-Year’s Day.&#13;
&#13;
By Miss Catherine M. Sedgwick&#13;
&#13;
[p.83]&#13;
&#13;
In the year 183-- ,  when speculation—that black art evasion of the laws God has instituted between labor and property, laws for the protection of human virtue—was at its fever height in the city of New York, Mr. Lyell, a gentleman whose years and position seemed to have moored him in one of those bays past which the stream might rush without dragging him with the torrent, returned to his home much excited.  He was too much occupied with his own thoughts to observe that two young persons, whom his entrance disconcerted, were at that moment threading together one of those tangled paths that but for his ill-timed appearance might have led them into the bright world of their hopes.  Ellen Lyell threw back the curls that had fallen over her burning cheek and resumed her worsted-work, heeding neither colors nor thread, and Haskett Mercer snatched the evening paper and seemed devouring its contents.&#13;
&#13;
	“I am glad to find you here, Mercer,” said Mr. Lyell, “it is not often I leave poor Ellen alone.  Any thing new in the paper?  Have you looked at the stocks?  Still rising are they not?”&#13;
&#13;
	Mercer turned mechanically to the stock-table and read it aloud.&#13;
&#13;
	“Yes, up—up—up,” resumed Mr. Mercer.  “What is the world coming to?  every body is getting rich.  William and Gordon have made a matter of forty thousand dollars since last week, Ellen.”&#13;
&#13;
	“Forty thousand since last week!” repeated Ellen without turning her eyes from her work.&#13;
&#13;
	“ Yes, forty thousand.  Is that such every day news that you answer me like a faint echo.  Forty thousand is worth your lifting your bright eyes from your work, Miss Ellen.  If your brothers’ luck holds, they will soon be the richest men of their name.”&#13;
&#13;
	“Will they be the happiest?”&#13;
&#13;
	“To be sure—that is, they will be so much the happier as they are the richer.   Mercer, why don’t you go out into this shower of gold?  What is the use of always having your plate bottom side upward?”&#13;
&#13;
	“I am afraid, sir, that we are deluded by a false light and that which now seems gold will prove to be mist, and melt away.”&#13;
&#13;
	“Nonsense, Mercer, nonsense! Don’t I tell you my boys have realized forty thousand dollars?”&#13;
&#13;
	“They have capital, Mr. Mercer.  I have none—at least none but my regular business education and my industry.  These afford no basis for speculation.  Indeed that has no basis.  The indolent, ignorant and unscrupulous are the most daring in these times and, for the most part, the most successful.”&#13;
&#13;
	“It was so in the beginning, I admit,” said Mr. Lyell, “ but now everybody sees the times are peculiar and all are putting into the lottery.  Town and country are alive!  Prudent old merchants that have gone on in a jog-trot way the last thirty years are studying charts of new lots and maps of Western lands; lawyers are getting up monied in institutions; literary men are in Wall street, and widows are speculating in the stocks.  Common rules wont do now, Mercer.  Every thing goes by a succession of accidents.  I am sure nobody can explain why property, real property, should be worth fifty per cent more than it was two or three years ago?”&#13;
&#13;
	“Perhaps, sir, if you were to say why it should sell for fifty per cent more, next year may solve the riddle.  The present prices cannot be sustained.  Land is at this moment selling upon a hypothesis of our having in a few years some millions of population on this island.”&#13;
&#13;
	“Well, if it be a delusion, why not take advantage of it, Mercer?  My sons offered me a share in a purchase they are to make to-morrow.  I promised them to consider of it.  I have done so during my cool walk home this evening and come to the conclusion to follow the good old rule and let well enough alone.  At my age the care of new riches would be burdensome.  I have been just as I am all my life, which, in this up and down city, few can say.  I am not far from the end and I had rather finish as I began.  I have enough for Ellen and me, and my sons are getting rich on their own account.  But you, Mercer—you are a young man; without a money capital, you will have a long struggle of it.  You will grow gray before you will dare ask a woman to marry you, if instead of taking advantage of this strange state of thing, you plod on?”&#13;
&#13;
	“But what am I to do, Mr. Lyell?” replied Mercer, whose pulses were quickened by some of Mr. Lyell’s suggestions.  “I have no money for the venture, and if I could obtain credit I would not without property to sustain it.  There is quite too much of this dishonorable mode of business carried on among us.”  &#13;
&#13;
[p.84]&#13;
&#13;
	Ellen for the first time put in her word to say: “It seems to me this universal passion for riches is vulgar.  Surely there is something better and nobler in this world to struggle for.”&#13;
&#13;
	“Whew, Miss Ellen! ‘Love in a cottage,’ is it?  ‘That is bon pour la campagne,’ as the French say; ‘very well out in the bush,’ as your old Dutch granddame would have had it, but in town (and Mr. Lyell winked at Mercer) love can’t live in a cottage.  It must have at least a neat two story house, with money enough to go to market in the morning and pay the servants on Saturday night. &#13;
&#13;
	“Now, Mercer, I am a prudent man and have no fears.  I will endorse your note.  You shall go into this speculation with the boys, and, as matters are going, you may sell out at the end of a month with a very decent little fortune.  Your share of the purchase will be about twenty thousand dollars.”&#13;
&#13;
	“Enter not into temptation, Mr. Mercer,” said Ellen, with an arch smile.  But Mercer had already entered in. His castle was already built in the shape of the neat two story house, and the conviction that Mr. Lyell had discerned his hopes and had presented the only mode of attaining them took possession of him.  After a short silence and a stolen glance at Ellen, which conjured up intoxicating images in his brain, he snatched his hat, saying,” I will see your sons this evening, Mr. Lyell, and if they are disposed to let me into this partnership I will accept your very kind offer.”&#13;
&#13;
	“Not so very kind; no, if there were the slightest risk I would not make it—for twenty thousand dollars is nearly two thirds of all I am worth in world.”&#13;
&#13;
	“And if there be risk, I would sooner cut off my right hand than take it, be assured of that, Mr. Lyell.”&#13;
&#13;
	And never was there a more conscientious assurance, but unfortunately Mercer was beginning to feel the general intoxication.  He found the young Lyells eager to admit him an equal partner in their speculation.  They particularly liked him.  They suspected their sister was not indifferent to him.  They knew he was not to her.  They were elated with their recent success, and fancied Mercer had only to embark with them to launch on the flood that led to certain fortune.  But, alas! the ebb-tide had even then, unperceived, begun.&#13;
&#13;
	The purchase was made, all the late gains of the brothers invested and the father’s name pledged for Haskett Mercer.  &#13;
&#13;
	Shortly after Mercer was employed by a company in New York to go to Illinois to examine some recent purchases of “fancy lots” made there.  Before leaving the city he went to Mr. Lyell’s to take leave of Ellen.  It was four o’clock—the steamer left the wharf at five.  He had but fifteen minutes to spare.  He had no purpose what to say, but he was in that excited state of mind when fifteen minutes gives the color to one’s life.  Nature is in some minds more rapid than the magnetic telegraph.  &#13;
&#13;
	“Miss Ellen is not home,” said the servant who answered to Mercer’s ring.  “She and the old gentleman have gone down to Mr. Gordon’s.”&#13;
&#13;
	Poor Mercer turned away thinking how interminable the four weeks of his absence would seem, but vainly casting the fashion of the uncertain future, he little thought that was the last time his foot would be upon Mr. Lyell’s door step.&#13;
&#13;
	As he hastened up the street he met an old mercantile friend of Mr. Lyells, one of those men infallibly weather-wise in the trading world.&#13;
&#13;
	“I hope,” he said, “the Lyells have not made the purchase they were talking of?”&#13;
&#13;
	“They have.”&#13;
&#13;
	“I am sorry for it.  It will be a bad concern.  I am glad, at any rate, that my old friend’s neck is out of the scrape.  It may prove a good lesson to the young men.”&#13;
&#13;
	Mercer had no time to hear further.  He went on his way, and carried with him a load of remorse and anxiety. &#13;
&#13;
	His journey was long and painful.   Wherever he went the demon of speculation had been before him and ruin was following in his train.  His business was perplexing and detained him through the sickly season.  He took the fever of the country, bad enough under any circumstances, but alarmingly aggravated by his complicated anxieties.  Happily his ravings of Ellen Lyell, of angry father, and of bankruptcy fell on the ears of strangers.  His discrete physician withheld the letters that came for him. Till, though still staggering debility, he was on the eve of beginning his homeward journey.  There were several from the brothers Lyell, one from their father, and one from Ellen.  This last was first read and ran as follows.  “My dear friend, my father told me yesterday that he had written you.  I fear his letter is filled with reproaches.  You will not be surprised that disappointment and loss should irritate his too susceptible temper.  Your agency in this unhappy affair will, I know, grieve you, but you should be consoled by remembering that you embarked in it at my father’s urgent request, and with expressed reluctance.&#13;
&#13;
	“For myself I have nothing to regret, our condition is yet far above want.  The wise people tell us that fortune and ease are not the best ministers to the human character, and I already find that enforced occupation, if it does not end the evils it opposes, at least furnishes a panoply divine against ennui and repining.&#13;
&#13;
	“My brothers have waked from their dream of illimitable fortunes and have entered upon a career of patient industry.  This early check is like to prove a great blessing to them. Already they &#13;
&#13;
[p.85] &#13;
&#13;
have time and tranquility for domestic enjoyment.  We have heard of your illness.  Do not let your friends continue in ignorance of your precise condition.&#13;
&#13;
	This letter was four weeks old.  If the tears were unmanly that fell upon it they must be divided between the weakness of Mercer’s body and the weakness of his heart.  Its generous tone fortified for the shock that was to follow.&#13;
&#13;
	The father’s letter began: “Your scoundrelly conduct, Mercer, in sneaking out of town and hiding yourself in the Western woods, while I was left to hear the brunt of this ruinous business is not to be forgotten.  Never presume to come into my presence again, nor any presence, to speak to my daughter.  Past friendships are forgotten—past injuries, which have involved me in remediless ruin can never be.”&#13;
&#13;
	The brothers’ letters were filled with details of mercantile disasters.  They informed Mercer that in default of his payment of his portion of the purchase money, their father, at a great sacrifice of his property, had met his engagements, and that, after satisfying the debt, nothing remained to him but his house and a few thousand dollars.  They absolved Mercer from blame and wrote with the courageous hope of youth.  &#13;
&#13;
	But Mercer could not absolve himself.  He had weakly yielded to the first temptation to join the rash and wicked throng who ‘make haste to be rich.’  He had departed from the principles which he had adopted as the rule of his life—the principle that fortune is the legitimate result of labor and that it stands low in the scale of human felicities.  &#13;
&#13;
	Expiation of his faults was all that now remained to him, and he determined to waste no time in weak inaction and vain repairing.  “I have lost,” he said, as his thoughts reverted to Ellen, with an anguish that cut through his heart, “the greatest blessing ever within the grasp of man.  I will not too lose true honor.”&#13;
&#13;
	It was a brilliant new-Year’s morning in the year 184--.  Many may still remember it.  Ellen Lyell was still Ellen Lyell, but how changed since that memorable evening five years before, when love and its bright train filled the imagination of the young woman of nineteen!  Sudden and sharp disappointment had followed, ad to that a softened, thoughtful regret, which gave rather a pensive aspect to a life filled with rigorous duty.  She occupied with her father a very small house in Madison street, where by the rent of their nice house in Chamber street, the income of the wreck of her father’s property and her own earnings she contrived to continue to him the ease and comfort of his more prosperous days.  She had risen early to arrange her household for the day and make her preparations for this pleasant gift season.  She and her little German housemaid, her maid of all work, had before the day dawned put the last polishing touch of studious neatness, that adornment of a modest condition, to her two small communicating parlors.  &#13;
&#13;
	“Now, Miss Ellen,” said Gretchen, “ every thing is ready and right.”&#13;
&#13;
	“Not quite, Gretchen; this window curtain has been pulled out of place.  There, now the folds are even; do you hold it while I tie it.”&#13;
&#13;
	This was done, and both mistress and maid turning their eyes towards the sky at the same moment saw the moon still shining through the immeasurable depths of a clear winter sky.&#13;
&#13;
	“There!” exclaimed Gretchen, “is the waning moon seen over the right shoulder of us both on a New- Year’s morning: the best token of all the year, and sent not sought—for no eye but your’s, Miss Ellen, would have seen the curtain was not straight, and but for your seeing that we should have seen the moon.”&#13;
&#13;
	“Well, dear Gretchen, what particular happiness of the happy New-Year does this lucky sight betoken?”&#13;
&#13;
	“Ah, that the day must show, Miss Ellen.  If you have a betrothed he will bring you the gifts you desire, or if you have not one, the day will show him to you.  Something will chance concerning what maidens think most of.  I see you don’t believe a word of it, Miss Ellen, but it is so in my country.  Among my people there are signs and omens for every day in the year, and unseen spirits for every dark hour, but here you only see and hear with the eye and ear of flesh; not even the blessed Christchild, that comes to prince and peasant in my country, comes to this dreary land.”  &#13;
&#13;
	“Dreary and disenchanted it seems to you, Gretchen, but our matter of fact lives save us from idle expectations.  Now, for instance, if you and I, believing in this sign of your’s, were looking out for our betrothed or his gifts to-day, it would be all moonshine.” &#13;
&#13;
	“Oh, as to me, Miss Ellen, I am away from my people, and I have left my luck behind me; but you, what does Mr. Lawrence come every day for?  And why is it that one launch of flowers has never time to fade before another comes in the place of it?”&#13;
&#13;
	“Nonsense, Gretchen, we are wasting time; bring me down the covered basket from my bureau.” &#13;
&#13;
	“Miss Ellen,” thought Gretchen, as she proceeded to obey her, “thinks I don’t know, but I can tell her there are some things that speak the same in all languages.  I can tell what that look in the eye and that melt in the voice means as well as&#13;
&#13;
[p.86]&#13;
&#13;
another.  Well, Mr. Lawrence is a nice man; good, every body says, young and rich, and that is what few ladies despise, and Miss Ellen knows the worth of it by the want of it.  It’s only by working and sparing from year’s end to year’s end, that she gets wine for her father’s table and cigars for him to smoke.  It’s strange how some people do all the work in this world and others all the play.  The old man is often fretting and Miss Ellen never is.  The workers are the happiest may be after all?”&#13;
&#13;
	We did not get at Gretchen’s thoughts by any necromancy.  She was one of those liberal people who inflict the reveries of their solitary moments upon the first doomed ears they encountered, beginning their social chats with “I was thinking.”&#13;
&#13;
	The basket was brought and Ellen arranged the gifts she had prepared for her brother’s children on her beautiful lauristina whose top, as it stood in the corner of the room, brushed the ceiling.  Net purses, gay colored bags, embroidered suspenders for a favorite little nephew, and dainty little bright slippers peeped from among the rich clusters of white flowers.&#13;
&#13;
	Skill and love were inwrought in all these pretty gifts.  Every stitch in them had been set by Aunt Ellen’s kind hand: every flower upon them was an emblem of her unwearied love.  Money could not buy gifts so rich.  &#13;
&#13;
	“There is something for you, my good Gretchen,” said Ellen.  Gretchen’s eyes sparkled as she took from her mistress’ hand a small, pretty plaid silk shawl.  A shower of thanks were pouring from her lips when Ellen said, “ do not you see there is something within the shawl.”  Gretchen unpinned and opened it.  It was a picture, a colored view of a small town on the Rhine, done with great exactness of coloring and drawing, by a young artist friend of Ellen Lyell, at her request.  Gretchen’s words were checked for a moment, but tears, far more eloquent than words, gushed from her eyes as she turned from the picture to Ellen?&#13;
&#13;
	“Oh, dear Miss Ellen,” she said, “ who but you would have ever thought of this?   And now don’t you believe the blessed moon this morning, was a true token.  Ah, Branbach!  My dear old home!  Ah, Miss Ellen, look here, look here just under that part of the castle.  There is where we lived; there all the Wepels lived back and back in the ages, when the old castle that stands there now, on the very top of the rocks on that high hill—Oh, many’s the time Brant and Hildergund and I have climbed to it—What was I saying?  Yes, when the castle that’s as old as St. Mark, had its jolly knights, the Wepels lived in the cottage below it, and when it was a prison of state it was one of my forefathers that kept the keys of the discarded room of torture, and when it was turned into a hospital it was my grandmother’s mother that tended the sick.  There is the old chateau, too, and there the chapel, and there the old stone bench, and those parings; and there the very pile of dirt always before old Weisen’s door; and there, where you can almost touch the boats as they pass up and down the terrace garden to the old chateau, and there you turn and go up to the vineyard planted among the rocks, and so steep that they go on ladders to the vines.  Oh, my beautiful land!—my home!—dear old Branback!”   Poor Gretchen had forgotten herself—the picture of her home had worked a spell upon her imagination, and her last exclamations were in German. &#13;
 &#13;
	“What is all this lingo about?” exclaimed Mr. Lyell, entering the room and effectually breaking the spell.  “The little dirty village of Branback,” he added, turning his eyes on the picture.  “I remember it well, and the greasy dinner I got there.  I see no sign of breakfast, Ellen.  Do you think I can eat your New-Year’s gifts?”&#13;
&#13;
	“Not eat the, but wear them, sir,” replied Ellen, placing at his feet a pair of new slippers.  “We have set the breakfast table in the next room; it is quite ready.  Bring up the coffee and cakes, Gretchen.”&#13;
&#13;
	“It will be cold there; it’s always cold there in the morning.  What did you put in there for?”&#13;
&#13;
	“The children begged to have their presents hung on a tree, and I could not move my lauristina!” &#13;
&#13;
	“And they must have it their own way.  It used to be ‘first come first served,’ but now the very last come is first and best served; the brat of a baby before its grandfather.”&#13;
&#13;
	Ellen made no reply, but opened the door into the next room where the fire having been kindled long before day-light, the air was genially warm, the coals glowed in the full grate, the coffee sent up its aromatic perfume—incense fit for the gods—and the lightest buckwheats were smoking on the table.  There was a sausage too, (Mr. Lyell’s sine qua non,) and fresh honey and Scotch marmalade, his favorite dainties, got by Ellen with some trouble by way of a New-Year’s treat to her father.  His frosty humor melted; the slippers he said “were a nice fit, the room was warm, and, the whole, he did not care if the children for once had it their own way, and it was thoughtful of you, Ellen, to get this delicious honey for me.”&#13;
&#13;
	Ellen was not hardened to the caprices of her father’s temper.  She was fortified by the resolution not to resist but endure.  She had long ago made up her mind that it was an infirmity not to be cured, but that patience was armor of proof against it.  Patient continuance in well-doing is a sovereign remedy against most of the evils of life and a certain salvation from its worst remorse.&#13;
&#13;
	“Where is the morning paper, Gretchen, asked Mr. Lyell.  Can’t you remember to put it on the table?  You know I always want it.”&#13;
&#13;
[p.87]&#13;
&#13;
	There is no morning paper on New-Year’s Mr. Lyell.”&#13;
&#13;
	“Ah, true! Give me last evening’s paper then.”&#13;
&#13;
	“The old gentleman must have his morning and his evening paper,” said Gretchen to a visitor in the kitchen,” though Miss Ellen would not even buy herself one new gown this New-Year’s; well, she looked pretty enough in her old ones.  It seems as if her beautiful soul came out more and more every day into her face.”&#13;
&#13;
	Mr. Lyell’s eyes ran over the paper carelessly.  Suddenly his attention was arrested, as Ellen observed, by something keenly interesting.  He knit his brows, bit his lips, threw down the paper, lighted his cigar, smoked a few whiffs, then threw it away, walked up and down the room biting his nails according to his habit when excessively vexed, and was leaving the room when at the door he met Gretchen, all smiles, bringing in a very beautiful lady’s writing-desk of ivory inlaid in ebony.&#13;
&#13;
	“Where did that come from?” he asked.   &#13;
	&#13;
	“It is for Miss Ellen, sir, and the servant that brings all Mr. Lawrence’s flowers and things brought it.”&#13;
&#13;
	“John, from the Astor house; was there no message?”&#13;
&#13;
	“None, sir.”&#13;
&#13;
	“It is from Lawrence, of course, Ellen; splendid, is it not?   Do you hear, Ellen?  Do you see?”&#13;
&#13;
	“Yes, sir, replied Ellen, looking cold and impassive.&#13;
&#13;
	“I would not advise him to waste his gifts here.  Strange—strange,” he muttered “that the only man you ever cared for should have been that rascal!”&#13;
&#13;
	“I do not deserve that, nor does Mercer,” she thought.  “I wish Lawrence would send no more of his gifts here; they ruffle my father, and are embarrassing to me; my father was just getting into the spirit of the day.  But it was something in the paper that turned the current.  Stocks have fallen, I suppose; but what is that to us?”  She was familiar with the stock-table for she read it every evening with her father.  She looked it over.  Stocks were rising, and she came to the natural conclusion that her father was vexed that he no longer had any interest in the prosperous turn the affairs of the city had taken.&#13;
&#13;
	That an old age which should have been serene and grateful should be chafed by sordid cares—that all her pains to soften it with the luxuries that habit had made necessary should be unfelt, filled Ellen’s bosom for a moment with sadness and a sense of injustice.  It was but for a moment; she wiped away the gathering tears and turned to receive with smiles and caresses the children who were bursting into the room with their clamorous happy New-Year’s to Aunt Ellen.  The stream must deposit a portion of the golden sands its channel is bearing onward.  Ellen Lyell could not be unhappy while she was the source of happiness or cheerfulness.  There are those who would have reckoned it a hard fate to minister to a thankless, fretful, exacting old man; to have been cut off in the prime of youth from the dearest expectations; to receive, as Ellen did at first, employment as favor and patronage; to see her gay young friends and fashionable acquaintance falling away from her; to be obliged to contract the circle of her wants, and to cut off the accustomed gratifications of her past position and the pleasures natural to her time of life.  In all this there were elements enough of discontent to a common character.  &#13;
&#13;
	But my friend Ellen’s was not a common character.  She began with the great truth that it matters not so much how we are, as what we are—that is not our circumstances, but what we make of them, that is out great concern; not the agreeable sensations of to-day that are of most import to us, but the retrospect of to-morrow.  If her father was more than usually unreasonable, she redoubled her patience.  She smiled at the supercilious of late friends (friends after common parlance) become patrons, and she received gratefully employment from those whose respect was enhanced by the manifestation of virtues which the change of her condition brought into action.  If her gay friends fell away from her she felt no asperity towards them; they had their pleasures, she her duties; there were few points of real sympathy between them, and in her secret heart she might well have thought she was rather the gainer than loser by the change in their relations.  &#13;
&#13;
	One evil there was in her condition which was a serious unhappiness to her.  The Mr. Lawrence to whom we have adverted, was her preserving lover.  His sister was her favorite friend.  He had an immense fortune.  He was a young man of good principles and good feelings.  The world said “ a splendid match for Ellen Lyell,”  “You know the most fervent wish of my heart,” Margaret Lawrence had once said to her, and she said no more.  &#13;
&#13;
	“You must do as you choose; all young people do so now-a-days,” said her father, “ but I would lay any wager you are the only woman in the United States who would not snap at Arthur Lawrence.”&#13;
&#13;
	“Do as you think best, my dear sister,” said her brother Gordon,” but I must say there are few worthier men than Arthur Lawrence.”&#13;
&#13;
	“You would marry Arthur Lawrence, Ellen,” said her brother William, “if you could forget—and those should forget who are forgotten!”&#13;
&#13;
	“You misunderstood me, William,” she replied, provoked to express the feelings her delicacy had restrained, “I would not marry Arthur Lawrence were he the only man in the world.  I do not&#13;
&#13;
[p.88]&#13;
&#13;
 love him, that should be reason enough.  I cannot love a man whose character is no sense accords with mine.  Arthur Lawrence is, you know it, William, a common man—nothing more nor less; of virtuous habits, no doubt; amiable and well disposed; but would you, would my father, would Gordon, would any of my friends esteem him a suitable match for me were he stripped of his fortune!  I may seem to you proud or vain, or both; but I should require in my husband some correspondence of endowment, of cultivation, of capability, of taste to my own, and I hold that only to be a pure marriage where this exists.  “I have not forgotten,” she added, blushing to her temples, “ that such a marriage was once within the circle of my hope; nor do I forget that it no longer is.  I cherish no vain wishes no vain regrets.  I see no danger of uselessness of dreariness in single life; no danger of wanting objects for my affections while yours and Gordon’s families are multiplying every year.”&#13;
&#13;
	“Forgive my, dear sister,” said her brother, “ we have erred in measuring you by common women.”&#13;
&#13;
	“That is not quite all your mistake, William; women are not allowed to use their powers of independence.  The vulgar world has made marriage a necessity to them, and they dare not follow the true impulses of their hearts—the honest demands of their nature; and thus it comes that marriage, God’s own most blessed institution, is so often perverted to what it is.”&#13;
&#13;
	But we have left too long the conclusion of our short story.  The day went on; Ellen’s visitors were not numerous, but they were old and well tried friends, with a sprinkling of young ones, who were attracted out of the fashionable beat by Ellen Lyell’s charms and graces, which, if they had lost the effect of novelty at twenty-four, in our world of Spring blossoms, had gained by their maturity, expression and force.&#13;
&#13;
	Arthur Lawrence came with the first and lingered to the last.&#13;
&#13;
	“I have not seen your father to-day,” he said to Ellen.  &#13;
&#13;
	“You can see him,” said little Nelly Lyell, “for I saw him take a big parcel of papers off the entry table, and go up stairs with it, and I went to show him Aunt Ellen’s new desk; I could not make him look up from his papers; but he did not look cross, and he did not scold me, though I spoke twice to him.”&#13;
&#13;
	“Have you see Aunt Ellen’s new desk, Mr. Lawrence?”&#13;
&#13;
	“No, Nelly, I did not know your aunt had a new one.”&#13;
&#13;
	Ellen looked at him with surprise; but as Lawrence was one of those people who never ambush their actions, she was convinced he was innocent of the gift.&#13;
&#13;
	“Don’t you know, Aunt Ellen, who sent you the desk;” pursued the little girl.&#13;
&#13;
	“No, Nelly, I cannot even guess.”&#13;
&#13;
	“Oh, she does know, she does know,” insisted the child, mischievously, “ she knows it’s you—because you know you send her every thing; lots of flowers, and lots of books.  I should love you if you gave me so many things; don’t you love him, Aunt Ellen?”&#13;
&#13;
	To Ellen’s infinite relief the door opened and her father appeared at it, not lowering as he had left her in the morning, but bright and smiling as a clear October sky at mid-day.  &#13;
&#13;
	“Ellen, my dear,” he said, “I am going out to ask a friend to come home and dine with me; don’t ask any other company.  You have a good dinner, I hope.  Oh, Mr. Lawrence, I did not observe you; good day, sir”.  He stood for a moment as if wavering, then beckoned Ellen to him and whispered—“if you want to know what company you are to have, look over the arrivals in last evening’s paper.”&#13;
&#13;
	But last evening’s paper was not to be found, and Ellen could get no solution of her father’s sudden good humor and extraordinary abstraction; for more extraordinary it was that he should have remained for one minute unconscious of Mr. Lawrence’s presence.&#13;
&#13;
	“There is no use,” said Lawrence that very evening, to his sister, “in thinking any longer of Ellen Lyell; she is as cold as an icicle to me.”&#13;
	“You are right, my dear brother,” replied his sister, “Ellen knows her own mind, and is not a woman to be won by perseverance?”&#13;
&#13;
	“No, that is proved—well, it will be all the same a hundred years hence!”&#13;
&#13;
	This veritable conclusion of Mr. Arthur Lawrence’s love-tale proved that he was not matched with Ellen Lyell in heaven, where, as we honestly believe, all true matches are made.&#13;
&#13;
	All the Lyells—sons, wives and children remained, as was their custom on New-Year’s day, to dine with their father.  The communicating doors between the rooms were thrown open.  One table was arranged for the little people and their nurses, and the other for their elders.&#13;
&#13;
	“You see what your Aunt Ellen has done for you, my children,” said Gordon Lyell.  “Mind and keep quiet, or my father will stand a chance of having rather too much of what your Aunt Ellen calls the ‘music of your voices;’ but why does he not come?  I never knew him delay a dinner before.  Who upon earth can this newly arrived friend of his be? Some old crone of an India merchant whom he knew forty years ago—oh, it’s that old Harvey, who was a school-mate of his and who has been consul this hundred years at ____, what do you call the place?  I heard yesterday he had come home?&#13;
&#13;
[p. 89]&#13;
&#13;
	“Whoever it may be,” said Ellen, “we should be grateful to him, for his arrival seems to have made it really a happy New-Year to my father.”&#13;
&#13;
	“He must be a special dear friend to reconcile my father to making another place at our small table.  You know his notion of heaven, Ellen?—that there’s plenty of elbow-room there!”&#13;
&#13;
	“Hush, Gordon—they are coming; ring the bell for dinner, Willie!”&#13;
&#13;
	“Now for a reverend white head,” said Gordon, “make your best bows and curtsies, children, to grandpapa’s friend, and don’t speak above your breaths.”&#13;
&#13;
	The door opened and old Mr. Lyell, his face smiling all over, ushered in—not an ‘old crone,’ but a tall young man of six-and-twenty, with his head covered with bright chestnut hair—his large dark eye brightened and moistened with mingled emotions.  Gordon and William Lyell sprang forward and grasped his hand.  “Is it you, Mercer?  My dear fellow, welcome—most welcome!”&#13;
&#13;
	Ellen’s first impulse was to run out of the room but her feet refused to move.  She became frightfully pale, and little Nelly, whose eye, on all occasions, first turned to her aunt exclaimed, “what is the matter, Aunt Ellen?”&#13;
	&#13;
	The exclamation produced a reaction.  She rallied and the eloquent blood rushing to her check expressed the welcome she could not utter; she gave Mercer her hand: neither spoke.  The awkward chasm was filled by Mr. Lyell.  “Mercer deserves our welcome, boys,” he said;” he is a good man and true.  He has worked hard for five years, and lived out of humanity’s reach, in China.  I know what it is to live there, and here is some of the fruit of his industry—here are the documents.”  Mr. Lyell threw on the table a parcel of papers.   “He has paid his debt to me, with interest and compound interest—God bless him!”&#13;
&#13;
	“A little too much of this, my dear Mr. Lyell,” said Mercer, deprecatingly.  &#13;
&#13;
	“Not a syllable too much; my children and grandchildren shall know who, of all men living, they should most love and honor.”&#13;
&#13;
	“This is much more,” said Mercer, rather embarrassed by Mr. Lyell’s excessive enthusiasm, “than an act of simple honesty deserves.”&#13;
&#13;
	Not a bit—not a bit.  Simple honesty do you call it?  Well—yes, paying one’s debts is simple honesty; but I can tell you it is the rarest of virtues now-a-days.  You have not heard of repudiation out in China, have you?  our new way of paying old debts.  I hate these new fangled words and doings.  But come, come to dinner, my children.”&#13;
&#13;
	A few days after when Ellen imparted to her loving maiden Gretchen, the secret of her engagement to Haskett Mercer, “Ah, ha! Miss Ellen,” she said,” I knew when that mysterious desk came the true love would soon come after it.  Remember the waning-moon of New-Year’s morning, and don’t laugh at my country signs again.”&#13;
&#13;
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              <text>Old Maids.&#13;
&#13;
"To be the mistress of some honest man's house, and the means of making neighbours happy, the poor easy, and relieving strangers, is the most creditable lot a young woman can look to, and I heartily wish it to all here." — PIRATE. &#13;
&#13;
"Mrs. Seton, Emily Dayton is engaged to William Moreland!"&#13;
&#13;
"To William Moreland. Well, why should she not be engaged to William Moreland?" &#13;
&#13;
"Why should she, rather?" &#13;
&#13;
"I know not Emily Dayton's ' why, ' but ladies' reasons for marrying are as ' thick as blackberries.' A common motive with girls under twenty is the eclat of an engagement — the pleasure of being the heroine of bridal festivities — of receiving presents — of being called by that name so enchanting to the imagination of a miss in her teens — ' the bride.'" &#13;
&#13;
"But Emily Dayton, you know, is past twenty." &#13;
&#13;
"There is one circumstance that takes place of all reason — perhaps she is in love." &#13;
&#13;
"In love with William Moreland! No, no, Mrs. &#13;
&#13;
[18]&#13;
Seton — there are no 'merry wanderers of the night' in these times to do Cupid's errands, and make us dote on that which we should hate." &#13;
&#13;
"Perhaps then, as she is at a rational age, three or four and twenty, she may be satisfied to get a kind sensible protector." &#13;
&#13;
"Kind and sensible, truly! He is the most testy, frumpish, stupid man you can imagine." &#13;
&#13;
"Does she not marry for an establishment?" &#13;
&#13;
"Oh no! She is perfectly independent, mistress of everything at her father's. No, I believe her only motive is that which actuates half the girls — the fear of being an old maid. This may be her last chance. Despair, they say, makes men mad — and I believe it does women too. &#13;
&#13;
                            "It is a fearful fate." &#13;
&#13;
"An old maid's? Yes, most horrible." &#13;
&#13;
"Pardon me, Anne, I did not mean that ; but such a fate as you anticipate for Emily Moreland — to be yoked in the most intimate relation of life, and for life, to a person to whom you have clung to save you from shipwreck, but whom you would not select to pass an evening with. To such a misery there can be no ' end, measure, limit, bound.'" &#13;
&#13;
"But, my dear Mrs. Seton, what are we to do? — all women cannot be so fortunate as you are." &#13;
&#13;
[19]&#13;
"Perhaps not. But so kind is the system of compensation in this life — such the thirst for happiness, and so great the power of adaptation in the human mind, that the conjugal state is far more tolerable than we should expect when we see the mismated parties cross its threshold. Still there can be no doubt that its possible happiness is often missed, and such is my respect for my sex, and so high my estimate of the capabilities of married life, that I cannot endure to see a woman, from the fear of being an old maid, driven into it, thereby forfeiting its highest blessings." &#13;
&#13;
"You must nevertheless confess, Mrs. Seton, that there are terrors in the name." &#13;
&#13;
"Yes, I know there are; and women are daily scared by them into unequal and wretched connexions. They have believed they could not retain their identity after five and twenty. That unless their individual existence was merged in that of the superior animal, every gift and grace with which God has endowed them would exhale and leave a 'spectral appearance' — a sort of slough of woman — an Aunt Grizzel, or Miss Lucretia McTab. I have lived, my dear Anne, to see many of the mists of old superstitions melting away in the light of a better day. Ghost is no longer a word to conjure with — &#13;
&#13;
[20]&#13;
witches have settled down into harmless and unharmed old women; and I do not despair of living to see the time when it shall be said of no woman breathing, as I have heard it said of such and such a lady, who escaped from the wreck at the eleventh hour, that she 'married to die a Mrs.'" &#13;
&#13;
"I hate, too, to hear such things said, but tell me honestly, Mrs. Seton, now when no male ears are within hearing, whether you do not, in your secret soul, think there is something particularly unlovely, repelling, and frightful, in the name of an old maid." &#13;
&#13;
"In the name, certainly; but it is because it does not designate a condition but a species. It calls up the idea of a faded, bony, wrinkled, skinny, jaundiced personage, whose mind has dwindled to a point — who has outlived her natural affections — survived every love but love of self, and self-guarded by that Cerberus suspicion — in whom the follies of youth are fresh when all its charms are gone — who has retained, in all their force, the silliest passions of the silliest women — love of dress, of pleasure, of admiration; who, in short, is in the condition of the spirits in the ancients' Tartarus, an impalpable essence tormented with the desires of humanity. Now turn, my dear Anne, from this hideous picture to &#13;
&#13;
[21]&#13;
some of our acquaintance who certainly have missed the happiest destiny of woman, but who dwell in light, the emanation of their own goodness. I shall refer you to actual living examples — no fictions."&#13;
&#13;
"No fictions, indeed, for then you must return to the McTabs and Grizzles. Whatever your philanthropy may hope for that most neglected portion of our sex, no author has ventured so far from nature as to portray an attractive old maid. Even Mackenzie, with a spirit as gentle as my Uncle Toby's, and as tender as that of his own 'Man of Feeling,' has written an essay in ridicule of 'old maids.'" &#13;
&#13;
"And you are not perhaps aware, Anne, that he has written a poem called the ' Recantation,' and dedicated it to his single daughter, a most lovely woman, who was the staff and blessing of his old age. In your wide range of reading cannot you think of a single exception to the McTabs and Grizzles?" &#13;
&#13;
"Miss Farrer's 'Becca Duguid,' but she is scarcely above contempt, trampled on by the children, and the tool of their selfish and lazy mammas." &#13;
&#13;
"There is one author, Anne, the most beloved, and the most lamented of all authors, who has not ventured to depart from nature, but has escaped prejudice, and prejudice in some of its most prevailing&#13;
&#13;
[22]&#13;
 forms. He has dared to exhibit the Paynim Saladin as superior to the Christian crusader. He has dispelled the thick clouds that enveloped the ' poor Israelite,' the most inveterate of all prejudices, transmitted from age to age, and authorised by the fancied sanctions of religion. I said the clouds were dispelled, but do they not rather hang around the glorious Rebecca, the unsullied image of her Maker, as the clouds that have broken away from the full moon encircled her, and are converted by her radiance to a bright halo?" &#13;
&#13;
"Mrs. Seton! Mrs. Seton! you are, or I am getting lost in all this mist and fog. What have Paynims and Jews to do with old maids? I do not remember an old maid in all Sir Walter's novels, excepting, indeed, Alison — Martha Trapbois — Meg Dods — one of Monkbarns' womankind, and Miss Yellowley, a true all-saving, fidgeting, pestering old maid, and the rest of them are entertaining but certainly not very exalting members of any sisterhood." &#13;
&#13;
"But these are not my examples, Anne. I confess that they are fair examples of follies and virtues that, if not originated, are exaggerated and made conspicuous by single life. I confess too that for such foibles matrimony is often a kind and safe shelter. &#13;
&#13;
[23]&#13;
But to my examples. Sir Walter — and who is more poetically just than Sir Walter? — has abandoned to the desolate, tragic, and most abhorred fate of old maids, his three first female characters — first in all respects, in beauty, in mind, in goodness, first in our hearts. The accomplished Flora M'lvor — the peer less Rebecca, and the tender, beautiful Minna."&#13;
&#13;
"Bless me! I never thought of this." &#13;
&#13;
"No, nor has one in a thousand of the young ladies who have admired these heroines laid the moral of their story to heart. Perhaps not one of the fair young creatures who has dropped a tear over the beautiful sentence that closes the history of Minna,* has been conscious that she was offering involuntary homage to the angelic virtues of an old maid. The very term would have wrought a disenchanting spell." &#13;
&#13;
"I confess, Mrs. Seton, I am in what is vulgarly called a ' blue maze.' My perceptions are as imperfect as the man's in scripture who was suddenly cured of blindness. Besides I was never particu--&#13;
&#13;
* [Sedgwick's note] "Thus passed her life, enjoying, from all who approached her, an affection enhanced by reverence, insomuch that when her friends sorrowed for her death, which arrived at a late period of her existence, they were comforted by the fond reflection, that the humanity which she then laid down, was the only circumstance which had placed her, in the words of scripture, ' A little lower than the angels.'"&#13;
&#13;
[23]&#13;
larly skilful at puzzling out a moral; will you have the goodness to extract it for me?" &#13;
&#13;
"Certainly, Anne, as I am the lecturer, this is my duty. First, I would have young ladies believe that all beautiful and loveable young women do not of course get married — that charms and virtues may exist, and find employment in single life — that a single woman, an old maid, (I will not eschew the name,) may love and be loved if she has not a husband, and children of her own. I would have her learn that if, like Flora M'lvor, she has been surrounded by circumstances that have caused her thoughts and affections to flow in some other channel than love, she need not wed a chance Waverly to escape single life; that if, like Rebecca, she is separated by an impassable gulf from him she loves, she need not wed one whom she does not love, but like the high souled Jewess she may transmute ' young Cupid's fiery shafts,' to chains that shall link her to all her species; and if like poor Minna she has thrown away her affections on a worthless object, she may live on singly, and so well that she will be deemed but ' little lower than the angels.' &#13;
&#13;
"After all it is not such high natures as these that need to be fortified by argument, or example. They are born equal to either fortune. But I would en--&#13;
&#13;
[25]&#13;
treat all my sex — those even who have the fewest and smallest gifts — to reverence themselves, to remember that it is not so much the mode of their brief and precarious existence that is important, as the careful use of those faculties that make existence a blessing here, and above all hereafter, where there is certainly 'no marrying, nor giving in marriage;' but I am growing serious, and of course, I fear, tiresome to young ears." &#13;
&#13;
"Oh, no, no, Mrs. Seton. These are subjects on which girls are never tired of talking nor listening; besides, you know you promised me some examples — such as Miss Hamilton and Miss Edgeworth, I suppose." &#13;
&#13;
"No, Anne, these belong to the great exceptions I have mentioned, 'equal to either fortune,' who, in any condition, would have made their 'owne renowne, and happie days.'" &#13;
&#13;
I could adduce a few in our own country, known to both of us, who are the ornament of the high circles in which they move, but for obvious reasons I select humble persons — those who, like some little rivulet unknown to fame, bless obscure and sequestered places. There is Violet Flint — I always wondered how she came by so appropriate a name. That little&#13;
&#13;
[26]&#13;
flower is a fit emblem for her — smiling in earliest spring, and in latest fall — requiring no culture, and yet rewarding it — neglected and forgotten when the gay tribes of summer are caressed, and yet always looking from its humble station with the same cheerful face — bright and constant through the sudden reverses of autumn, and the adversity of the roughest winter. Such is the flower, and such is Violet Flint. But as I am now in realities, I must call her by the old maidenish appellation that, spoiling her pretty name, they have given to her, 'Miss Vily.' She lives, and has for the last twenty years lived, with her brother Sam. He married young, a poor invalid, who, according to Napoleon's scale of merit, is a great woman, having given to the commonwealth nine or ten — more or less — goodly sons and daughters. After the children were born, all care of them, and of their suffering mother, devolved on Violet. Without the instincts, the claims, the rights, or the honours of a mother, she has not only done all the duties of a mother, but done them on the sure and broad basis of love. She has toiled and saved, and made others comfortable and enjoying, while she performed the usually thankless task of ordering the economy of a very frugal household. She has made the happy happier, tended the sick, &#13;
&#13;
[27]&#13;
and solaced the miserable. She sheltered the weak, and if one of the children strayed she was the apologist and intercessor. With all this energy of goodness the cause is lost in the blessed effects — she never appears to claim applause or notice. She is not only second best; but when indulgence or pleasure is to be distributed, her share is last and least — that is, according to the usual selfish reckoning. But according to a truer and nobler scale, her amount is greatest, for she has her share in whatever happiness she sees in any living thing."&#13;
&#13;
How many married dames are there who repeat every fifteen minutes, my husband, my children, my house, and glorify themselves in all these little personalities, who might lay down their crowns at the feet of Violet Flint ! — Miss Vily, the old maid. &#13;
&#13;
"The second example that occurs to me, is Sarah Lee. Sarah has not, like Violet, escaped all the peculiarities that are supposed to characterise the 'Single-sides.' With the chartered rights of a married lady to fret, to be particular, and to have a way of her own, her temper would pass without observation; but being an old maid, she is called, and I must confess is, rather touchy. But what are these sparks, when the same fire that throws &#13;
&#13;
[28]&#13;
them off keeps warm an overflowing stream of benevolence? — look into her room." &#13;
&#13;
"Oh, Mrs. Seton! I have seen it, and you must con fess it is a true 'Singleside' repository." &#13;
&#13;
"Yes, I do confess it — nor will I shrink from the confession, for I wish to select for my examples, not any bright particular star, but persons of ordinary gifts, in the common walks of life. Had Sarah been married she would have been a thrifty wife, and pains taking mother, but she wore away her youth in devotion to the sick and old — and now her kindness, like the miraculous cruise, always imparting and never diminishing, is enjoyed by all within her little sphere. Experience has made her one of the best physicians I know. She keeps a variety of labelled medicines for the sick, plasters and salves of her own compounding, and materials with which she concocts food and beverages of every description, nutritious and diluent; in short, she has some remedy or solace for every ill that flesh is heir to. She has a marvelous knack of gathering up fragments, of most ingeniously turning to account what would be wasted in another's hands. She not only has comfortables for shivering old women, and well patched clothes for neglected children, but she has always some pretty favour for a bride — some kind&#13;
&#13;
[29]&#13;
token for a new-born baby. And then what a refuge is her apartment for the slip-shod members of the family who are in distress for scissors, penknife, thimble, needle, hook and eye, buttons, a needle-full of silk or worsted of any particular colour. How many broken hearts she has restored with her inexhaustible glue-pot — mending tops, doll's broken legs, and all the luckless furniture of the baby-house — to say nothing of a similar ministry to the 'minds dis eased' of the mammas. Sarah Lee's labours are not always in so humble a sphere — 'He who makes two blades of grass grow where one grew before,' says a political economist, 'is a benefactor to his race.' If so, Sarah Lee takes high rank. &#13;
&#13;
"Two blades of grass! Her strawberry beds produce treble the quantity of any other in the village. Her potatoes are the ' greatest yield' — her corn the earliest — her peas the richest — her squashes the sweetest — her celery the tenderest — her raspberries and currants the greatest bearers in the country. There is not a thimble-full of unoccupied earth in her garden. There are flowers of all hues, seasons, and climes. None die — none languish in her hands. &#13;
&#13;
"My dear Anne, I will not ask you if an existence so happy to herself, so profitable to others, &#13;
&#13;
[30]&#13;
should be dreaded by herself, neglected or derided by others. Yet Sarah Lee is an old maid." &#13;
&#13;
"You are, I confess, very happy in your instances, Mrs. Seton, but remember the old proverb, 'one swallow does not make a summer.'" &#13;
&#13;
"I have not done yet — and you must remember that in our country, where the means of supporting a family are so easily attained, and when there are no entails to be kept up at the expense of half a dozen single sisters, the class of old maids is a very small one.  Many enter the ranks, but they drop off in the natural way of matrimony. Few maintain the 'perseverance of saints.' Among those few is one, who, when she resigns the slight covering that invests her spirit, will lay down 'all she has of humanity' — our excellent friend, Lucy Ray. &#13;
&#13;
"She is now gently drawing to the close of a long life, which I believe she will offer up without spot or blemish. She began life with the most fragile constitution. She has had to contend with' that nervous susceptibility of temperament that so naturally engenders selfishness and irascibility, and all the miseries and weaknesses of invalidism. Not gifted with any personal beauty, or grace, she was liable to envy her more fortunate cotemporaries. Without genius, talents, or accomplishments to at--&#13;
&#13;
[31]&#13;
tract or delight, she has often been slighted — and what is far worse, must have been always liable to the suspicion of slights. But suspicion, that creator and purveyor of misery, never darkened her serene mind. She has lived in others and for others, with such an entire forgetfulness of self that even the wants and weakness of her mortal part seem scarcely to have intruded on her thoughts. She has resided about in the families of her friends — a mode of life which certainly has a tendency to nourish jealousy, servility, and gossipping. But for what could Lucy Ray be jealous or servile? She craved'' nothing — she asked nothing, but, like an unseen, unmarked Providence, to do good ; and as to gossipping, she had no turn for the ridiculous, no belief of evil against any human being — and as to speaking evil, 'on her lips was the law of kindness.' You would hardly think, Anne, that a feeble, shrinking creature, such as I have described, and truly, Lucy Ray, could have been desired, as an inmate with gay young people, and noisy, turbulent children. She was always welcome, for, like her Divine Master, she came to minister — not to be ministered unto. &#13;
&#13;
"Lucy, like the Man of Ross, is deemed passing rich by the children, and an unfailing resource to the poor in their exigencies, though her income&#13;
&#13;
[32]&#13;
amounts to rather less than one hundred dollars!! &#13;
&#13;
"We sometimes admire the art of the Creator more in the exquisite mechanism of an insect than in the formation of a planet, and I have been more struck with the power of religion in the effect and exaltation it gave to the humble endowments of this meek woman, than by its splendid results in such a life as Howard's. Lucy Ray, by a faithful imitation of her master, by always aiding and never obstructing the principle of growth in her soul, has, through every discouragement and disability, reached a height but 'little lower than the angels;' and when her now flickering light disappears, she will be lamented almost as tenderly (alas! for that almost) as if she were a mother; and yet, Anne, Lucy Ray is an old maid." &#13;
&#13;
"You half persuade me to be one too, Mrs. Seton." &#13;
&#13;
"No, Anne, I would by no means persuade you or any woman to prefer single life. It is not the 'prim rose path.' Nothing less than a spirit of meekness, of self-renunciation, and of benevolence, can make a woman, who has once been first, happy in a subordinate and second best position. And this under ordinary circumstances is the highest place&#13;
&#13;
[33]&#13;
 of a single woman. Depend upon it, my dear young friend, it is safer for most of us to secure all the helps to our virtues that attend a favourable position; besides, married life is the destiny Heaven has allotted to us, and therefore best fitted to awaken all our powers, to exercise all our virtues, and call forth all our sympathies. I would persuade you that you may give dignity and interest to single life, that you may be the cause of happiness to others, and of course happy yourself — for when was the fountain dry while the stream continued to flow? If single life, according to the worst view of it, is a moral desert, the faithful, in their passage through it, are refreshed with bread from Heaven and water from the rock. &#13;
&#13;
"I shall conclude with a true story. The parties are not known to you. The incidents occurred long ago, and I shall take the liberty to assume names; for I would not, even at this late day, betray a secret once confided to me, though time may long since have outlawed it. My mother had a school-mate and friend whom I shall call Agnes Grey. Her father was a country clergyman with a small salary, and the blessing that usually attends it — a large family of children. Agnes was the eldest, and after her following a line of boys, as long as Ban--&#13;
&#13;
[34]&#13;
quo's. At least, some ten years after Agnes, long waited and prayed for, appeared a girl, who cost her mother her life. &#13;
&#13;
"The entire care of the helpless little creature devolved on Agnes. She had craved the happiness of possessing a sister, and now, to a sister's love, she added the tenderness of a mother. Agnes' character was formed by the discipline of circumstances — the surest of all discipline. A host of turbulent boys, thoughtless and impetuous, but kind-hearted, bright, and loving, had called forth her exertions and affections, and no one can doubt, either as lures or goads, had helped her on the road to heaven. Nature had, happily, endowed her with a robust constitution, and its usual accompaniment, a sweet temper; so that what were mountains to others, were mole hills to Agnes. 'The baby,' of course, was the pet lamb of the fold. She was named, for her mother, Elizabeth; but, instead of that queenly appellation, she was always addressed by the endearing diminutive of Lizzy. Lizzy Gray was not only the pet of father, brothers, and sister at home — but the plaything of the village. &#13;
&#13;
"The old women knit their brightest yarn into tippets and stockings for the ' minister's motherless little one' (oh, what an eloquent appeal was in &#13;
&#13;
[35]&#13;
those words!) the old men saved the ' red cheeked' apples for her — the boys drew her, hour after hour, in her little wagon, and the girls made her rag babies. Still she was not in any disagreeable sense an enfant gatee. She was like those flowers that thrive best in warm and continued sunshine. Her soft hazel eye, with its dark sentimental lashes, the clear brunette tint of her complexion, and her graceful flexible lips, truly ex pressed her tender, loving, and gentle spirit. She seemed formed to be sheltered and cherished — to love and be loved; and this destiny appeared to be secured to her by her devoted sister, who never counted any exertion or sacrifice that procured an advantage or pleasure for Lizzy. When Lizzy was about fourteen, a relative of the family, who kept a first rate boarding school in the city, offered to take her for two years, and give her all the advantages of her school, for the small consideration of fifty dollars per annum. Small as it was, it amounted to a tithe of the parson's income. It is well known, that, in certain parts of our country, everything (not always discreetly) is sacrificed to the hobby — education. Still the prudent father, who had already two sons at college, hesitated — did not consent till Agnes ascertained that by keeping a little school in the village she might obtain&#13;
&#13;
[36]&#13;
 half the required sum. Her father, brothers, and friends all remonstrated. The toils of a school, in addition to the care and labour of her father's family, was, they urged, too much for her — but she laughed at them. 'What was labour to her if she could benefit Lizzy — dear Lizzy!' All ended, as might be expected, in Lizzy going to the grand boarding school. The parting was a great and trying event in the family. It was soon followed by a sadder. The father suddenly sickened and died — and nothing was left for his family hut his house and well kept little garden. What now was to be done?— - College and schools to be given up? — No such thing. In our country, if a youth is rich he ought to be educated; if he is poor he must be. The education is the capital whereby they are to live hereafter. It is obtained in that mysterious but unfailing way — ' by hook and by crook.'" &#13;
&#13;
The elder Grays remained in college — Agnes enlarged her school — learned lessons in mathematics and Latin one day, and taught them the next ; took a poor, accomplished young lady from some broken down family in town into partnership, and received a few young misses as boarders into her family. Thus, she not only was able to pay ' dear Lizzy's' bills regularly, but to aid her younger brothers. Her &#13;
&#13;
[37]&#13;
energy and success set all her other attractions in a strong light, and she was admired and talked about, and became quite the queen of the village. &#13;
&#13;
"I think it was about a year after her father's death, that a Mr. Henry Orne, a native of the village, who was engaged in a profitable business at the south, returned to pass some months at his early home. His frequent visits to the parsonage, and his attentions, on all occasions, to Agnes, soon became matter of very agreeable speculation to the gossips of the village. 'What a fine match he would be for Agnes! — such an engaging, well-informed young man, and so well off!' Agnes' heart was not steel; but though it had been exposed to many a flame she had kindled, in had never yet melted." &#13;
&#13;
"Pardon me, Mrs. Seton, for interrupting you — was Agnes pretty?" &#13;
&#13;
"Pretty? The word did not exactly suit her. At the time of which I am now speaking, she was at the mature age of five and twenty; which is called the perfection of womanhood. Prettiness is rather appropriate to the bud than the ripened fruit. Agnes, I have been told, had a fine person — symmetrical features, and so charming an expression that she was not far from beautiful, in the eyes of strangers, and quite a beauty to her friends and lovers. &#13;
&#13;
[38]&#13;
Whether it were beauty, manners, mind, or heart, I know not — one and all probably — but Henry Orne soon became her assiduous and professed admirer. Till now Agnes had lived satisfied and happy with subordinate affections. She had never seen anyone that she thought it possible she could love as well as she loved those to whom nature had allied her. But now the sun arose, and other lights became dim — not 'that she loved Caesar less, but she loved Rome more.' Their mutual faith was plighted, and both believed, as all real lovers do, that the world never contained so happy, so blessed a pair, as they were. &#13;
&#13;
"Lizzy's second year at school was nearly ended, and one month after her return the marriage was to be solemnised. In the meantime Agnes was full of the cares of this world. The usual preparations for the greatest occasion in a woman's life are quite enough for any single pair of hands, but Agnes had to complete her school term, and the possibility of swerving from an engagement never occurred to her. &#13;
&#13;
"Lizzy arrived, as lovely a creature as she had appeared in the dreams of her fond sister. In the freshness and untouched beauty of her young existence, just freed from the trammels of school, her &#13;
&#13;
[39]&#13;
round cheek glowing with health, and her heart overflowing with happiness. 'Here is my own dear Lizzy,' said Agnes, as she presented her to Henry Orne, 'and if you do not love me for anything else, you must for giving you such a sister.' &#13;
&#13;
"Henry Orne looked at Lizzy and thought, and said, ' the duty would be a very easy one.' 'For the next month,' continued Agnes, 'I shall be incessantly occupied, and you must entertain one another. Henry has bought a nice little pony for me, Lizzy, and he shall teach you to ride, and you shall go over all his scrambling walks with him — to Sky-cliff, Rose- glen, and Beech-cove — the place he says nature made for lovers; but my poor lover has had to accommodate himself to my working day life and woo me in beaten paths.' &#13;
&#13;
"The next month was the most joyous of Lizzy's life; every day was a festival. To the perfection of animal existence in the country, in the month of June, was added the keen sense of all that physical nature conveys to the susceptible mind. &#13;
&#13;
"Wherever she was, her sweet voice was heard ringing in laughter, or swelling in music that seemed the voice of irrepressible joy — the spontaneous breathing of her soul. To the lover approaching his marriage day Time is apt to drag along with&#13;
&#13;
[40]&#13;
leaden foot, but to Henry Orne he seemed rather to fly with Mercury's wings at his heels; and when Agnes found herself compelled by the accumulation of her affairs, to defer her wedding for another month, he submitted with a better grace than could have been expected. Not many days of this second term had elapsed, when Agnes, amidst all her cares, as watchful of Lizzy as a mother of an only child, observed a change stealing over her. Her stock of spirits seemed suddenly ex pended, her colour faded — her motions were languid, and each successive day she became more and more dejected. 'She wants rest,' said Agnes to Henry Orne; she has been unnaturally excited, and there is now a reaction. She must remain quietly at home for a time, on the sofa, in a darkened room, and you, Henry, I am sure, will, for my sake, give up your riding and walking for a few days, and stay within doors, and play on your flute, and read to her.' Agnes' suggestions were promptly obeyed, but without the happy effect she anticipated. Lizzy, who had never before had a cloud on her brow, seemed to have passed under a total eclipse. She became each day more sad and nervous. A tender word from Agnes — a look, even, would make her burst into tears. &#13;
&#13;
"'I am miserable, Henry,' said Agnes, ' at this&#13;
&#13;
[41]&#13;
 unaccountable change in Lizzy — the doctor says she is perfectly free from disease — perhaps we have made too sudden a transition from excessive exercise to none at all. The evening is dry and fine, I wish you would induce her to take a walk with you. She is distressed at my anxiety, and I cannot propose any thing that does not move her to tears.' &#13;
&#13;
"'It is very much the same with me,' replied Henry, sighing deeply, but if you wish it I will ask her.' He accordingly did so — she consented, and they went out together. &#13;
&#13;
"Agnes retired to her own apartment, and there, throwing herself upon her knees, she entreated her Heavenly Father to withdraw this sudden infusion of bitterness from her brimming cup of happiness. 'Try me in any other way,' she cried, in the intensity of her feeling, and, for the first time in her life, forgetting that every petition should be in the spirit of ' Thy will be done,' 'try me in any other way, but show me the means of restoring my sister — my child to health and happiness!' &#13;
&#13;
"She returned again to her little parlour. Lizzy had not come in, and she sat down on the sofa near an open window, and resigned herself to musings, the occupation, if occupation it may be called, of the idle, but rarely, and never of late, Agnes! &#13;
&#13;
[42]&#13;
In a few moments Lizzy and Henry returned, and came into the porch, adjoining the parlour. They perceived the candles were not lighted, and concluding Agnes was not there, they sat down in the porch.' &#13;
&#13;
"'Oh, I am too wretched!' said Lizzy. Her voice was low and broken, and she was evidently weeping. 'Is it possible,' thought Agnes, ' that she will express her feelings more freely to Henry than to me? I will listen. If she knows any cause for her dejection, I am sure I can remove it.' &#13;
&#13;
"'Why, my beloved Lizzy,' replied Orne, in a scarcely audible voice, 'will you be so wretched — why will you make me so, and forever, when there is a remedy?' &#13;
&#13;
"'Henry Orne!' she exclaimed, and there was resolution and indignation in her voice. 'If you name that to me again, I will never, so help me God, permit you to come into my presence without witnesses. No, there is no remedy, but in death. Would that it had come before you told me you loved me — before my lips confessed my sinful love for you — no, no — the secret shall be buried in my grave.; &#13;
&#13;
"'Oh, Lizzy, you are mad — Agnes does not, cannot love as we do. Why sacrifice two to one? Let &#13;
&#13;
[43]&#13;
me, before it is too late, tell her the whole, and cast myself on her generosity.' &#13;
&#13;
'"Never, never — I now wish, when I am in her presence, that the earth at her feet would swallow me up; and how can you, for a moment, think I will ask to be made happy — that I could be made happy, at her expense ? No, I am willing to expiate with my life, my baseness to her — that I shall soon do so is my only comfort — and you will soon forget me — men can forget, they say —' &#13;
&#13;
"'Never — on my knees, I swear never!' — &#13;
&#13;
"'Stop, for mercy's sake, stop. You must not speak another such word to me — I will not hear it.'  She rose to enter the house. Agnes slipped through a private passage to her own apartment. &#13;
&#13;
"She heard Lizzy ascending the stairs. She heard Henry call after her, ' One word, Lizzy — for mercy's sake, one last word.' But Lizzy did not turn. Agnes heard her feebly drag herself into the little dressing- room adjoining their apartment, and after, there was no sound but the poor girl's suppressed, but still audible sobs. &#13;
&#13;
"None but He who created the elements that compose the human heart, and who can penetrate its mysterious depths, can know which of the sisters was most wretched at that moment. To Agnes who&#13;
&#13;
[44]&#13;
had loved deeply, confidingly without a shadow of fear or distrust, the reverse was total. To Lizzy who had enjoyed for a moment the bewildering fervours of a young love, only to feel its misery, that misery was embittered by a sense of wrong done to her sister. And yet it had not been a willing, but an involuntary and resisted, and most heartily repented wrong. She had recklessly rushed down a steep to a fearful precipice, and now felt that all access and passage to return was shut against her. Agnes without having had one dim fear — without any preparation, saw an abyss yawning at their feet — an abyss only to be closed by her self-immolation. &#13;
&#13;
"She remained alone for many hours — she resolved — her spirit faltered — she re-resolved. She thought of all Lizzy had been to her, and of all she had been to Lizzy, and she wept as if her heart would break. She remembered the prayer that her impatient spirit had sent forth that evening. She prayed again, and a holy calm, never again to be disturbed, took possession of her soul. &#13;
&#13;
"There is a power in goodness, pure self-renouncing goodness, that cannot be ' overcome, but overcometh all things.' &#13;
&#13;
"Lizzy waited till all was quiet in her sister's room. She heard her get into bed, and then stole&#13;
&#13;
[45]&#13;
 softly to her. Agnes, as she had done from Lizzy's infancy, opened her arms to receive her, and Lizzy pillowed her aching head on Agnes' bosom, softly breathing, — 'My sister — mother !' &#13;
&#13;
"'My own Lizzy — my child' answered Agnes. There was no tell-tale faltering of the voice. She felt a tear trickle from Lizzy's cold cheek on to her bosom, and not very long after both sisters were in a sleep that mortals might envy, and angels smile on. &#13;
&#13;
"The rest you will anticipate, my dear Anne. The disclosure to the lovers of her discovery, was made by  Agnes in the right way, and at the right time. Everything was done as it should be by this most admirable woman. She seemed, indeed, to feel as a guardian angel might, who, by some remission of his vigilance, had suffered the frail mortal in his care to be beguiled into evil. She never, by word, or even look, reproached Lizzy. She shielded her, as far as possible, from self-reproach, nor do I believe she ever felt more unmixed tenderness and love for her, than when, at the end of a few months, she saw her married to Henry Orne. &#13;
&#13;
"My story has yet a sad supplement. Madame Cotin, I believe it is, advises a story teller to close the tale when he comes to a happy day; for, she says, it is not probable another will succeed it. &#13;
&#13;
[46]&#13;
Poor Lizzy had experience of this sad mutability of human life. Hers was checquered with many sorrows. &#13;
&#13;
"Lapses from virtue at eight and twenty, and at sixteen, afford very different indications of the character; you cannot expect much from a man, who, at eight and twenty, acted the part of Henry Orne. He was unfaithful in engagements with persons less merciful than Agnes Gray. He became inconstant in his pursuits — self-indulgent, and idle, and finally intemperate, in his habits. His wife — as wives will — loved him to the end. &#13;
&#13;
"Agnes retained her school, which had become in her hands a profitable establishment. There she laboured, year after year, with a courageous heart, and serene countenance, and devoted the fruit of all her toils to Lizzy, and to the education of her children. &#13;
&#13;
"I am telling no fiction, and I see you believe me, for the tears are trembling in your eyes — do not re press them, but permit them to embalm the memory of an old maid.”&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
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                <text>"Old Maids"</text>
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                <text>Sacrifice, stigma towards unmarried women, alternatives to marriage.</text>
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                <text>Two women are discussing the negative views of old maids, and one gives the sad account of an old maid who gave up her true love for the happiness of her sister, and the unintended consequences of that sacrifice for all of the parties involved. </text>
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                <text>Sedgwick, Catharine M.&#13;
Miss Sedgwick&#13;
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                <text>“Old Maids,” &lt;em&gt;The Offering, &lt;/em&gt; 17-46, Philadelphia, Thomas T. Ash, 1834.</text>
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                <text>1834</text>
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                <text>J. Robinson; D. Gussman&#13;
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                <text>Annual reissued as &lt;em&gt;The Wreath of Friendship&lt;/em&gt;, 1837.&lt;br /&gt;Reprinted in &lt;em&gt;The Casket&lt;/em&gt;, March 1834, 137-139 and&lt;br /&gt;&lt;em&gt;Tales and Sketches &lt;/em&gt;by Catharine Maria Sedgwick, Philadelphia: Carey, Lea and Blanchard, 1835: 97-116.&lt;br /&gt;Collected in &lt;em&gt;Old Maids: Short Stories by Nineteenth-Century U.S. Women Writers&lt;/em&gt;, ed. Susan Koppelman, Boston: Pandora Press, 1984: 11-26.</text>
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