1 10 2 https://d1y502jg6fpugt.cloudfront.net/4347/archive/files/78270f6772dd08374591d85cda6b57ad.pdf?Expires=1787788800&Signature=VT387KeCW1i-TFI9xdoJIb6DmlFGzjRe6Uyf%7EPFyYYsal9Ew8YRdCZ0GrhK%7EiMivMZEoMTF9Z2rgCxH0EV7umxtmfmisMdx5c%7ExPx5iXJ9J3JGcAqpgjkgayhnUWZXcNHnhzxTnjEy3oy5Zgf0nO6VUGGRb7WtGZ21fdGsAft8EgYOVd6WnZFCkkPbwtwWaJRQNGkTpqSQK5uuz1x6OhCSGhJWZ8WcZPrdkJyFMkaVuPgKvBq53fp3Hh4OgnQ7PPWK2lmt0jYJAUuAT2jn2s%7EPzBWRcy4XBW2RoWxe7SFwgljgaFNcTKfWMihxBy6sJfAi4UgpyWBg5yCdoAhVprSA__&Key-Pair-Id=K6UGZS9ZTDSZM d1b3fcd22f7faa30a09169e8e7bdeebc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1830 Subject The topic of the resource Stories published in 1830. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Glory and gain the industrious tribe provoke.--Pope. The little secluded and quiet village of H. lies at no great distance from our “literary emporium.” It was never remarked or remarkable for anything, save one mournful preeminence, to those who sojourned within its borders — it was duller even than common villages. The young men of the better class all emigrated. The most daring spirits adventured on the sea. Some went to Boston; some to the south; and some to the west; and left a community of women who lived like nuns, with the advantage of more liberty and fresh air, but without the consolation and excitement of a religious vow. Literally, there was not a single young gentleman in the village — nothing in manly shape to which these desperate circumstances could give the form and quality and use of a beau. Some dashing city blades, who once strayed from the turnpike to this sequestered spot, averred that the girls stared at them as if, like Miranda, they would have exclaimed — “What 1st? a spirit? Lord, how it looks about! Believe me, sir, It carries a brave form: — But 'tis a spirit.” A peculiar fatality hung over this devoted place. If death seized on either head of a family, he was sure to take the husband; every woman in H. was a widow or maiden; and it is a sad fact, that when the holiest office of the church was celebrated, they were compel led to borrow deacons from an adjacent village. But, incredible as it may be, there was no great diminution of happiness in consequence of the absence of the nobler sex. Mothers were occupied with their children and housewifery, and the young ladies read their books with as much interest as if they had lovers to discuss them with, and worked their frills and capes as diligently, and wore them as complacently, as if they were to be seen by manly eyes. Never were there pleasanter gatherings or parties (for that was the word even in their nomenclature) than those of the young girls of H. There was no mincing — no affectation — no hope of passing for what they were not — no envy of the pretty and fortunate — no insolent triumph over the plain and demure and neglected, — but all was good will and good humour. They were a pretty circle of girls — a garland of bright fresh flowers. Never were there more sparkling glances, — never sweeter smiles — nor more of them. Their present was all health and cheerfulness; and their future, not the gloomy perspective of dreary singleness, for somewhere in the passage of life they were sure to be mated. Most of the young men who had abandoned their native soil, as soon as they found themselves getting along, loyally returned to lay their fortunes at the feet of the companions of their childhood. The girls made occasional visits to Boston, and occasional journeys to various parts of the country, for they were all enterprising and independent, and had the characteristic New England avidity for seizing a “privilege;” and in these various ways, to borrow a phrase of their good grandames, a door was opened for them, and in due time they fulfilled the destiny of women. We spoke strictly, and a la lettre, when we said that in the village of H. there was not a single beau. But on the outskirts of the town, at a pleasant farm, embracing hill and valley, upland and meadow land ; in a neat house, looking to the south, with true economy of sunshine and comfort, and overlooking the prettiest winding stream that ever sent up its sparkling beauty to the eye, and flanked on the north by a rich maple grove, beautiful in spring and summer, and glorious in autumn, and the kindest defence in winter; — on this farm and in this house dwelt a youth, to fame unknown, but known and loved by every inhabitant of H., old and young, grave and gay, lively and severe. Ralph Hepburn was one of nature's favourites. He had a figure that would have adorned courts and cities; and a face that adorned human nature, for it was full of good humour, kindheartedness, spirit, and intelligence; and driving the plough or wielding the scythe, his cheek flushed with manly and profitable exercise, he looked as if he had been moulded in a poet's fancy — as farmers look in Georgics and Pastorals. His gifts were by no means all external. He wrote verses in every album in the village, and very pretty album verses they were, and numerous too — for the number of albums was equivalent to the whole “female” population. He was admirable at pencil sketches; and once with a little paint, the refuse of a house painting, he achieved an admirable portrait of his grandmother and her cat. There was, to be sure, a striking likeness between the two figures, but he was limited to the same colours for both; and besides, it was not out of nature, for the old lady and her cat had purred together in the chimney corner, till their physiognomies bore an obvious resemblance to each other. Ralph had a talent for music too. His voice was the sweetest of all the Sunday choir, and one would have fancied, from the bright eyes that were turned on him from the long line and double lines of treble and counter singers, that Ralph Hepburn was a note book, or that the girls listened with their eyes as well as their ears. Ralph did not restrict himself to psalmody. He had an ear so exquisitely susceptible to the “touches of sweet harmony,” that he discovered, by the stroke of his axe, the musical capacities of certain species of wood, and he made himself a violin of chestnut, and drew strains from it, that if they could not create a soul under the ribs of death, could make the prettiest feet and the lightest hearts dance, an achievement far more to Ralph's taste than the aforesaid miracle. In short, it seemed as if nature, in her love of compensation, had showered on Ralph all the gifts that are usually diffused through a community of beaux. Yet Ralph was no prodigy; none of his talents were in excess, but all in moderate degree. No genius was ever so good humoured, so useful, so practical; and though, in his small and modest way, a Crichton, he was not, like most universal geniuses, good for nothing for any particular office in life. His farm was not a pattern farm — a prize farm for an agricultural society, but in wonderful order considering — his miscellaneous pursuits. He was the delight of his grandfather for his sagacity in hunting bees — the old man's favourite, in truth his only pursuit. He was so skilled in woodcraft that the report of his gun was as certain a signal of death as the tolling of a church bell. The fish always caught at his bait. He manufactured half his farming utensils, improved upon old inventions, and struck out some new ones; tamed partridges — the most untameable of all the feathered tribe; domesticated squirrels; rivalled Scheherazade herself in telling stories, strange and long — the latter quality being essential at a country fireside; and, in short, Ralph made a perpetual holiday of a life of labour. Every girl in the village street knew when Ralph's wagon or sleigh traversed it; indeed, there was scarcely a house to which the horses did not, as if by instinct, turn up while their master greeted its fair tenants. This state of affairs had continued for two winters and two summers since Ralph came to his majority and, by the death of his father, to the sole proprietorship of the “Hepburn farm,” — the name his patrimonial acres had obtained from the singular circumstance (in our moving country) of their having remained in the same family for four generations. Never was the matrimonial destiny of a young lord, or heir just come to his estate, more thoroughly canvassed than young Hepburn's by mothers, aunts, daughters, and nieces. But Ralph, perhaps from sheer good heartedness, seemed reluctant to give to one the heart that diffused rays of sunshine through the whole village. With all decent people he eschewed the doctrines of a certain erratic female lecturer on the odious monopoly of marriage, yet Ralph, like a tender hearted judge, hesitated to place on a single brow the crown matrimonial which so many deserved, and which, though Ralph was far enough from a coxcomb, he could not but see so many coveted. Whether our hero perceived that his mind was becoming elated or distracted with this general favour, or that he observed a dawning of rivalry among the fair competitors, or whatever was the cause, the fact was, that he by degrees circumscribed his visits, and finally concentrated them in the family of his Aunt Courland. Mrs. Courland was a widow, and Ralph was the kindest of nephews to her, and the kindest of cousins to her children. To their mother he seemed their guardian angel. That the five lawless, daring little urchins did not drown themselves when they were swimming, nor shoot themselves when they were shooting, was, in her eyes, Ralph's merit; and then he was so attentive to Alice, her only daughter — a brother could not be kinder. But who would not be kind to Alice? she was a sweet girl of seventeen, not beautiful, not handsome perhaps, — but pretty enough — with soft hazel eyes, a profusion of light brown hair, always in the neatest trim, and a mouth that could not but be lovely and loveable, for all kind and tender affections were playing about it. Though Alice was the only daughter of a doting mother, the only sister of five loving boys, the only niece of three single, fond aunts, and, last and greatest, the only cousin of our only beau, Ralph Hepburn, no girl of seventeen was ever more disinterested, unassuming, unostentatious, and unspoiled. Ralph and Alice had always lived on terms of cousinly affection — an affection of a neutral tint that they never thought of being shaded into the deep dye of a more tender passion. Ralph rendered her all cousinly offices. If he had twenty damsels to escort, not an uncommon case, he never forgot Alice. When he returned from any little excursion, he always brought some graceful offering to Alice. He had lately paid a visit to Boston. It was at the season of the periodical inundation of annuals. He brought two of the prettiest to Alice. Ah! little did she think they were to prove Pandora's box to her. Poor simple girl! she sat down to read them, as if an annual were meant to be read, and she was honestly interested and charmed. Her mother observed her delight. "What have you there, Alice?" she asked, "Oh the prettiest story, mamma! — two such tried faithful lovers, and married at last ! It ends beautifully: I hate love stories that don't end in marriage." "And so do I, Alice," exclaimed Ralph, who entered at the moment, and for the first time Alice felt her cheeks tingle at his approach. He had brought a basket, containing a choice plant he had obtained for her, and she laid down the annual and went with him to the garden to see it set by his own hand. Mrs. Courland seized upon the annual with avidity. She had imbibed a literary taste in Boston, where the best and happiest years of her life were passed. She had some literary ambition too. She read the North American Review from beginning to end, and she fancied no conversation could be sensible or improving that was not about books. But she had been effectually prevented, by the necessities of a narrow income, and by the unceasing wants of five teasing boys, from indulging her literary inclinations; for Mrs. Courland, like all New England women, had been taught to consider domestic duties as the first temporal duties of her sex. She had recently seen some of the native productions with which the press is daily teeming, and which certainly have a tendency to dispel our early illusions about the craft of authorship. She had even felt some obscure intimations, within her secret soul, that she might herself become an author. The annual was destined to fix her fate. She opened it — the publisher had written the names of the authors of the anonymous pieces against their productions. Among them the found some of the familiar friends of her childhood and youth. If, by a sudden gift of second sight, she had seen them enthroned as kings and queens, she would not have been more astonished. She turned to their pieces, and read them, as perchance no one else ever did, from beginning to end — faithfully. Not a sentence — a sentence! not a word was skipped. She paused to consider commas, colons, and dashes. All the art and magic of authorship were made level to her comprehension, and when she closed the book, she felt a call to become an author, and before she retired to bed she obeyed the call, as if it had been, in truth, a divinity stirring within her. In the morning she presented an article to her public, consisting of her own family and a few select friends. All applauded, and every voice, save one, was unanimous for publication — that one was Alice. She was a modest, prudent girl; she feared failure, and feared notoriety still more. Her mother laughed at her childish scruples. The piece was sent off, and in due time graced the pages of an annual. Mrs. Courland's fate was now decided. She had, to use her own phrase, started in the career of letters, and she was no Atalanta to be seduced from her straight onward way. She was a social, sympathetic, good hearted creature too, and she could not bear to go forth in the golden field to reap alone. She was, besides, a prudent woman, as most of her countrywomen are, and the little pecuniary equivalent for this delightful exercise of talents was not over looked. Mrs. Courland, as we have somewhere said, had three single sisters — worthy women they were — but nobody ever dreamed of their taking to authorship. She, however, held them all in sisterly estimation. Their talents were magnified as the talents of persons who live in a circumscribed sphere are apt to be, particularly if seen through the dilating medium of affection. Miss Anne, the oldest, was fond of flowers, a successful cultivator, and a diligent student of the science of botany. All this taste and knowledge, Mrs. Courland thought, might be turned to excellent account; and she persuaded Miss Anne to write a little book entitled “Familiar Dialogues on Botany.” The second sister, Miss Ruth, had a turn for education (“bachelor's wives and maid's children are always well taught”), and Miss Ruth undertook a popular treatise on that subject. Miss Sally, the youngest, was the saint of the family, and she doubted about the propriety of a literary occupation, till her scruples were overcome by the fortunate suggestion that her coup d'essai should be a Saturday night book entitled “Solemn Hours,” — and solemn hours they were to their unhappy readers. Mrs. Courland next besieged her old mother. "You know, mamma," she said, "you have such a precious fund of anecdotes of the revolution and the French war, and you talk just like the “Annals of the Parish,” and I am certain you can write a book fully as good." "My child, you are distracted! I write a dreadful poor hand, and I never learned to spell — no girls did in my time." "Spell! that is not of the least consequence — the printers correct the spelling." But the honest old lady would not be tempted on the crusade, and her daughter consoled herself with the reflection that if she would not write, she was an admirable subject to be written about, and her diligent fingers worked off three distinct stories in which the old lady figured. Mrs. Courland's ambition, of course, embraced within its widening circle her favourite nephew Ralph. She had always thought him a genius, and genius in her estimation was the philosopher's stone. In his youth she had laboured to persuade his father to send him to Cambridge, but the old man uniformly replied that Ralph was a smart lad on the farm, and steady, and by that he knew he was no genius. As Ralph's character was developed, and talent after talent broke forth, his aunt renewed her lamentations over his ignoble destiny. That Ralph was useful, good, and happy — the most difficult and rare results achieved in life — was nothing, so long as he was but a farmer in H. Once she did half persuade him to turn painter, but his good sense and filial duty triumphed over her eloquence, and suppressed the hankerings after distinction that are innate in every human breast, from the little ragged chimneysweep that hopes to be a boss, to the political aspirant whose bright goal is the presidential chair. Now Mrs. Courland fancied Ralph might climb the steep of fame without quitting his farm; occasional authorship was compatible with his vocation. But alas! she could not persuade Ralph to pluck the laurels that she saw ready grown to his hand. She was not offended, for she was the best natured woman in the world, but she heartily pitied him, and seldom mentioned his name without repeating that stanza of Gray's, inspired for the consolation of hopeless obscurity. : “Full many a gem of purest ray serene,” Poor Alice's sorrows we have reserved to the last, for they were heaviest. “Alice,” her mother said, “was gifted; she was well educated, well informed; she was everything necessary to be an author.” But Alice resisted; and, though the gentlest, most complying of all good daughters, she would have resisted to the death — she would as soon have stood in a pillory as appeared in print. Her mother, Mrs. Courland, was not an obstinate woman, and gave up in despair. But still our poor heroine was destined to be the victim of this cacoethes scribendi; for Mrs. Courland divided the world into two classes, or rather parts — authors and subjects for authors; the one active, the other passive. At first blush one would have, thought the village of H. rather a barren field for such a reaper as Mrs. Courland, but her zeal and indefatigableness worked wonders. She converted the stern scholastic divine of H. into as much of a La Roche as she could describe; a tall wrinkled bony old woman, who reminded her of Meg Merrilies, sat for a witch; the school master for an Ichabod Crane; a poor half wilted boy was made to utter as much pathos and sentiment and wit as she could put into his lips; and a crazy vagrant was a God-send to her. Then every “wide spreading elm,” “blasted pine,” or “gnarled oak,” flourished on her pages. The village church and school house stood there according to their actual dimensions. One old pilgrim house was as prolific as haunted tower or ruined abbey. It was surveyed outside, ransacked inside, and again made habitable for the reimbodied spirits of its founders. The most kind hearted of women, Mrs. Courland's interests came to be so at variance with the prosperity of the little community of H., that a sudden calamity, a death, a funeral, were fortunate events to her. To do her justice she felt them in a twofold capacity. She wept as a woman, and exulted as an author. The days of the calamities of authors have passed by. We have all wept over Otway and shivered at the thought of Tasso. But times are changed. The lean sheaf is devouring the full one. A new class of sufferers has arisen, and there is nothing more touching in all the memoirs Mr. D'Israeli has collected, than the trials of poor Alice, tragi-comic though they were. Mrs. Courland's new passion ran most naturally in the worn channel of maternal affection. Her boys were too purely boys for her art — but Alice, her sweet Alice, was preeminently lovely in the new light in which she now placed every object. Not an incident of her life but was inscribed on her mother's memory, and thence transferred to her pages, by way of precept, or example, or pathetic or ludicrous circumstance. She regretted now, for the first time, that Alice had no lover whom she might introduce among her dramatis personse. Once her thoughts did glance on Ralph, but she had not quite merged the woman in the author; she knew instinctively that Alice would be particularly offended at being thus paired with Ralph. But Alice's public life was not limited to her mother's productions. She was the darling niece of her three aunts. She had studied botany with the eldest, and Miss Anne had recorded in her private diary all her favourite's clever remarks during their progress in the science. This diary was now a mine of gold to her, and faithfully worked up for a circulating medium. But, most trying of all to poor Alice, was the attitude in which she appeared in her aunt Sally's “solemn hours.” Every aspiration of piety to which her young lips had given utterance was there printed. She felt as if she were condemned to say her prayers in the market place. Every act of kindness, every deed of charity, she had ever performed, were produced to the public. Alice would have been consoled if she had known how small that public was; but, as it was, she felt like a modest country girl when she first enters an apartment hung on every side with mirrors, when, shrinking from observation, she sees in every direction her image multiplied and often distorted; for, notwithstanding Alice's dutiful respect for her good aunts, and her consciousness of their affectionate intentions, she could not but perceive that they were unskilled painters. She grew afraid to speak or to act, and from being the most artless, frank, and, at home, social little creature in the world, she became as silent and as stiff as a statue. And, in the circle of her young associates, her natural gaiety was constantly checked by their winks and smiles, and broader allusions to her multiplied portraits; for they had instantly recognized them through the thin veil of feigned names of persons and places. They called her a blue stocking too; for they had the vulgar notion that everybody must be tinged that lived under the same roof with an author. Our poor victim was afraid to speak of a book — worse than that, she was afraid to touch one, and the last Waverley novel actually lay in the house a month before she opened it. She avoided wearing even a blue ribbon, as fearfully as a forsaken damsel shuns the colour of green. It was during the height of this literary fever in the Courland family, that Ralph Hepburn, as has been mentioned, concentrated all his visiting there. He was of a compassionate disposition, and he knew Alice was, unless relieved by him, in solitary possession of their once social parlour, while her mother and aunts were driving their quills in their several apartments. “Oh! what a changed place was that parlour! Not the tower of Babel, after the builders had forsaken it, exhibited a sadder reverse; not a Lancaster school, when the boys have left it, a more striking contrast. Mrs. Courland and her sisters were all “talking women,” and too generous to encroach on one another's rights and happiness. They had acquired the power to hear and speak simultaneously. Their parlour was the general gathering place, a sort of village exchange, where all the innocent gossips, old and young, met together. “There are tongues in trees,” and surely there seemed to be tongues in the very walls of that vocal parlour. Everything there had a social aspect. There was something agreeable and conversable in the litter of netting and knitting work, of sewing implements, and all the signs and shows of happy female occupation. Now, all was as orderly as a town drawing room in company hours. Not a sound was heard there save Ralph's and Alice's voices, mingling in soft and sup pressed murmurs, as if afraid of breaking the chain of their aunt's ideas, or, perchance, of too rudely jarring a tenderer chain. One evening, after tea, Mrs. Courland remained with her daughter, instead of retiring, as usual, to her writing desk. — "Alice, my dear," said the good mother, "I have noticed for a few days past that you look out of spirits. You will listen to nothing I say on that subject; but if you would try it, my dear, if you would only try it, you would find there is nothing so tranquillizing as the occupation of writing." "I shall never try it, mamma." "You are afraid of being called a blue stocking. Ah! Ralph, how are you?" — Ralph entered at this moment. — "Ralph, tell me honestly, do you not think it a weakness in Alice to be so afraid of blue stockings?" "It would be a pity, aunt, to put blue stockings on such pretty feet as Alice's." Alice blushed and smiled, and her mother said — "Nonsense, Ralph; you should bear in mind the celebrated saying of the Edinburgh wit — “no matter how blue the stockings are, if the petticoats are long enough to hide them." "Hide Alice's feet! Oh aunt, worse and worse!" "Better hide her feet, Ralph, than her talents— that is a sin for which both she and you will have to answer. Oh! you and Alice need not exchange such significant glances! You are doing yourselves and the public injustice, and you have no idea how easy writing is." "Easy writing, but hard reading, aunt." "That's false modesty, Ralph. If I had but your opportunities to collect materials" — Mrs. Courland did not know that in literature, as in some species of manufacture, the most exquisite productions are wrought from the smallest quantity of raw material — " There's your journey to New York, Ralph," she continued, "you might have made three capital articles out of that. The revolutionary officer would have worked up for the “Legendary;” the mysterious lady for the “Token;” and the man in black for the “Remember Me;” — all founded on fact, all romantic and pathetic." "But mamma," said Alice, expressing in words what Ralph's arch smile expressed almost as plainly, "you know the officer drank too much; and the mysterious lady turned out to be a runaway milliner; and the man in black — oh! what a theme for a pathetic story! — the man in black was a widower, on his way to Newhaven, where he was to select his third wife from three re commended candidates." "Pshaw! Alice: do you suppose it is necessary to tell things precisely as they are?" "Alice is wrong, aunt, and you are right; and if she will open her writing desk for me, I will sit down this moment, and write a story — a true story — true from beginning to end; and if it moves you, my dear aunt, if it meets your approbation, my destiny is decided." Mrs. Courland was delighted; she had slain the giant, and she saw fame and fortune smiling on her favourite. She arranged the desk for him herself; she prepared a folio sheet of paper, folded the ominous margins; and was so absorbed in her bright visions, that she did not hear a little by-talk between Ralph and Alice, nor see the tell-tale flush on their cheeks, nor notice the perturbation with which Alice walked first to one window and then to another, and finally settled herself to that best of all sedatives — hemming a ruffle. Ralph chewed off the end of his quill, mended his pen twice, though his aunt assured him “printers did not mind the penmanship,” and had achieved a single line when Mrs. Courland's vigilant eye was averted by the entrance of her servant girl, who put a packet into her hands. She looked at the direction, cut the string, broke the seals, and took out a periodical fresh from the publisher. She opened at the first article — a strangely mingled current of maternal pride and literary triumph rushed through her heart and brightened her face. She whispered to the servant a summons to all her sisters to the parlour, and an intimation, sufficiently intelligible to them, of her joyful reason for interrupting them. Our readers will sympathize with her, and with Alice too, when we disclose to them the secret of her joy. The article in question was a clever composition written by our devoted Alice when she was at school. One of her fond aunts had preserved it; and aunts and mother had combined in the pious fraud of giving it to the public, unknown to Alice. They were perfectly aware of her determination never to be an author. But they fancied it was the mere timidity of an unfledged bird; and that when, by their innocent artifice, she found that her opinions could soar in a literary atmosphere, she would realize the sweet fluttering sensations they had experienced at their first flight. The good souls all hurried to the parlour, eager to witness the coup de theatre. Miss Sally's pen stood emblematically erect in her turban; Miss Ruth, in her haste, had overset her inkstand, and the drops were trickling down her white dressing, or, as she now called it, writing gown; and Miss Anne had a wild flower in her hand, as she hoped, of an undescribed species, which, in her joyful agitation, she most unluckily picked to pieces. All bit their lips to keep impatient congratulation from bursting forth. Ralph was so intent on his writing, and Alice on her hemming, that neither noticed the irruption; and Mrs. Courland was obliged twice to speak to her daughter before she could draw her attention. "Alice, look here — Alice, my dear." "What is it, mamma? something new of yours?” "No; guess again, Alice." "Of one of my aunts, of course?" "Neither, dear, neither. Come and look for yourself, and see if you can then tell whose it is." Alice dutifully laid aside her work, approached and took the book. The moment her eye glanced on the fatal page, all her apathy vanished — deep crimson overspread her cheeks, brow, and neck. She burst into tears of irrepressible vexation, and threw the book into the blazing fire. The gentle Alice! Never had she been guilty of such an ebullition of temper. Her poor dismayed aunts retreated; her mother looked at her in mute astonishment; and Ralph, struck with her emotion, started from the desk, and would have asked an explanation, but Alice exclaimed — "Don't say anything about it, mamma — I cannot bear it now." Mrs. Courland knew instinctively that Ralph would sympathize entirely with Alice, and quite willing to avoid an explanation, she said — "Some other time, Ralph, I'll tell you the whole. Show me now what you have written. How have you begun?" Ralph handed her the paper with a novice's trembling hand. "Oh! how very little! and so scratched and interlined! but never mind — “c'est le premier pas qui coute.” "While making these general observations, the good mother was getting out and fixing her spectacles, and Alice and Ralph had retreated behind her. Alice rested her head on his shoulder, and Ralph's lips were not far from her ear. Whether he was soothing her ruffled spirit, or what he was doing, is not recorded. Mrs. Courland read and re-read the sentence. She dropped a tear on it. She forgot her literary aspirations for Ralph and Alice — forgot she was herself an author — forgot everything but the mother; and rising, embraced them both as her dear children, and expressed, in her raised and moistened eye, consent to their union, which Ralph had dutifully and prettily asked in that short and true story of his love for his sweet cousin Alice. In due time the village of H. was animated with the celebration of Alice's nuptials: and when her mother and aunts saw her the happy mistress of the Hepburn farm, and the happiest of wives, they relinquished, without a sigh, the hope of ever seeing her an AUTHOR. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Cacoethes Scribendi" Subject The topic of the resource Women writers, love and marriage, village life. Description An account of the resource A young woman is embarrassed when her writing is published by her family without her knowledge. Creator An entity primarily responsible for making the resource Sedgwick, Catharine M. Miss Sedgwick Source A related resource from which the described resource is derived <em>The Atlantic Souvenir</em>. Philadelphia: Carey, Lea &amp; Lea, 17-38. Date A point or period of time associated with an event in the lifecycle of the resource 1830 Contributor An entity responsible for making contributions to the resource J. Robinson D. Gussman Relation A related resource Also collected in: <em>Stories of American Life</em>, vol. 3, Ed. Mary Russell Mitford (London, 1830), pp. 162-186.<br /><em>Tales and Sketches</em>. By Miss Sedgwick. (Philadelphia: Carey, Lea &amp; Blanchard, 1835), pp. 165-181.<br /><em>Provisions: A Reader from 19th-Century American Women</em>. Ed. Judith Fetterley. Bloomington, (Indiana UP, 1985) pp. 49-59. <br /><em>The Norton Anthology of American Literature</em>, Vol. I, Ed. Nina Baym. (New York: Norton, 1998) pp.1007-1017. Language A language of the resource English Type The nature or genre of the resource Document annuals art authorship blue stocking Boston Disraeli domestic duties genius Ichabod Crane James Crichton marriage music New England New Haven New York North American Review piety Shakespeare Sheherazade Tasso The Tempest Waverley https://d1y502jg6fpugt.cloudfront.net/4347/archive/files/26296e72eac821b8bd9ce1c06a832d89.pdf?Expires=1787788800&Signature=gwmcIrg0oNxrC91MyKImzK3rEk8jAESnhczGaWsKI9B5ylqTd9u%7Efg3c6LIipgPQMbsDqC4V4-%7EG3FD2SSkZNlEErXOTXEowz2rtmQs8xh0mawZYejohC7bak89QXLjkqRzFbtAqX8RDG1zporiRnunQFPWfNpOTRFEOan-4lpXRmWPW9hIcKzqTznA9ur3CY%7EYsu32S0HS%7EjC1APqUFcGMc9Rn3RJ65OrnnkL6b4ST-7WSF8C14tSZ1-qYGJt9xjrRmo87JXTdcQqoMbOaux%7E67lK1wHEK6ARcmPJCwatYqhMsfVGzCb4155dGj0q4q%7EEoQsLtymK5tdWXB5xL85w__&Key-Pair-Id=K6UGZS9ZTDSZM 593f10e894ae8f75bcb5f17e68213174 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1834 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Old Maids. "To be the mistress of some honest man's house, and the means of making neighbours happy, the poor easy, and relieving strangers, is the most creditable lot a young woman can look to, and I heartily wish it to all here." — PIRATE. "Mrs. Seton, Emily Dayton is engaged to William Moreland!" "To William Moreland. Well, why should she not be engaged to William Moreland?" "Why should she, rather?" "I know not Emily Dayton's ' why, ' but ladies' reasons for marrying are as ' thick as blackberries.' A common motive with girls under twenty is the eclat of an engagement — the pleasure of being the heroine of bridal festivities — of receiving presents — of being called by that name so enchanting to the imagination of a miss in her teens — ' the bride.'" "But Emily Dayton, you know, is past twenty." "There is one circumstance that takes place of all reason — perhaps she is in love." "In love with William Moreland! No, no, Mrs. [18] Seton — there are no 'merry wanderers of the night' in these times to do Cupid's errands, and make us dote on that which we should hate." "Perhaps then, as she is at a rational age, three or four and twenty, she may be satisfied to get a kind sensible protector." "Kind and sensible, truly! He is the most testy, frumpish, stupid man you can imagine." "Does she not marry for an establishment?" "Oh no! She is perfectly independent, mistress of everything at her father's. No, I believe her only motive is that which actuates half the girls — the fear of being an old maid. This may be her last chance. Despair, they say, makes men mad — and I believe it does women too. "It is a fearful fate." "An old maid's? Yes, most horrible." "Pardon me, Anne, I did not mean that ; but such a fate as you anticipate for Emily Moreland — to be yoked in the most intimate relation of life, and for life, to a person to whom you have clung to save you from shipwreck, but whom you would not select to pass an evening with. To such a misery there can be no ' end, measure, limit, bound.'" "But, my dear Mrs. Seton, what are we to do? — all women cannot be so fortunate as you are." [19] "Perhaps not. But so kind is the system of compensation in this life — such the thirst for happiness, and so great the power of adaptation in the human mind, that the conjugal state is far more tolerable than we should expect when we see the mismated parties cross its threshold. Still there can be no doubt that its possible happiness is often missed, and such is my respect for my sex, and so high my estimate of the capabilities of married life, that I cannot endure to see a woman, from the fear of being an old maid, driven into it, thereby forfeiting its highest blessings." "You must nevertheless confess, Mrs. Seton, that there are terrors in the name." "Yes, I know there are; and women are daily scared by them into unequal and wretched connexions. They have believed they could not retain their identity after five and twenty. That unless their individual existence was merged in that of the superior animal, every gift and grace with which God has endowed them would exhale and leave a 'spectral appearance' — a sort of slough of woman — an Aunt Grizzel, or Miss Lucretia McTab. I have lived, my dear Anne, to see many of the mists of old superstitions melting away in the light of a better day. Ghost is no longer a word to conjure with — [20] witches have settled down into harmless and unharmed old women; and I do not despair of living to see the time when it shall be said of no woman breathing, as I have heard it said of such and such a lady, who escaped from the wreck at the eleventh hour, that she 'married to die a Mrs.'" "I hate, too, to hear such things said, but tell me honestly, Mrs. Seton, now when no male ears are within hearing, whether you do not, in your secret soul, think there is something particularly unlovely, repelling, and frightful, in the name of an old maid." "In the name, certainly; but it is because it does not designate a condition but a species. It calls up the idea of a faded, bony, wrinkled, skinny, jaundiced personage, whose mind has dwindled to a point — who has outlived her natural affections — survived every love but love of self, and self-guarded by that Cerberus suspicion — in whom the follies of youth are fresh when all its charms are gone — who has retained, in all their force, the silliest passions of the silliest women — love of dress, of pleasure, of admiration; who, in short, is in the condition of the spirits in the ancients' Tartarus, an impalpable essence tormented with the desires of humanity. Now turn, my dear Anne, from this hideous picture to [21] some of our acquaintance who certainly have missed the happiest destiny of woman, but who dwell in light, the emanation of their own goodness. I shall refer you to actual living examples — no fictions." "No fictions, indeed, for then you must return to the McTabs and Grizzles. Whatever your philanthropy may hope for that most neglected portion of our sex, no author has ventured so far from nature as to portray an attractive old maid. Even Mackenzie, with a spirit as gentle as my Uncle Toby's, and as tender as that of his own 'Man of Feeling,' has written an essay in ridicule of 'old maids.'" "And you are not perhaps aware, Anne, that he has written a poem called the ' Recantation,' and dedicated it to his single daughter, a most lovely woman, who was the staff and blessing of his old age. In your wide range of reading cannot you think of a single exception to the McTabs and Grizzles?" "Miss Farrer's 'Becca Duguid,' but she is scarcely above contempt, trampled on by the children, and the tool of their selfish and lazy mammas." "There is one author, Anne, the most beloved, and the most lamented of all authors, who has not ventured to depart from nature, but has escaped prejudice, and prejudice in some of its most prevailing [22] forms. He has dared to exhibit the Paynim Saladin as superior to the Christian crusader. He has dispelled the thick clouds that enveloped the ' poor Israelite,' the most inveterate of all prejudices, transmitted from age to age, and authorised by the fancied sanctions of religion. I said the clouds were dispelled, but do they not rather hang around the glorious Rebecca, the unsullied image of her Maker, as the clouds that have broken away from the full moon encircled her, and are converted by her radiance to a bright halo?" "Mrs. Seton! Mrs. Seton! you are, or I am getting lost in all this mist and fog. What have Paynims and Jews to do with old maids? I do not remember an old maid in all Sir Walter's novels, excepting, indeed, Alison — Martha Trapbois — Meg Dods — one of Monkbarns' womankind, and Miss Yellowley, a true all-saving, fidgeting, pestering old maid, and the rest of them are entertaining but certainly not very exalting members of any sisterhood." "But these are not my examples, Anne. I confess that they are fair examples of follies and virtues that, if not originated, are exaggerated and made conspicuous by single life. I confess too that for such foibles matrimony is often a kind and safe shelter. [23] But to my examples. Sir Walter — and who is more poetically just than Sir Walter? — has abandoned to the desolate, tragic, and most abhorred fate of old maids, his three first female characters — first in all respects, in beauty, in mind, in goodness, first in our hearts. The accomplished Flora M'lvor — the peer less Rebecca, and the tender, beautiful Minna." "Bless me! I never thought of this." "No, nor has one in a thousand of the young ladies who have admired these heroines laid the moral of their story to heart. Perhaps not one of the fair young creatures who has dropped a tear over the beautiful sentence that closes the history of Minna,* has been conscious that she was offering involuntary homage to the angelic virtues of an old maid. The very term would have wrought a disenchanting spell." "I confess, Mrs. Seton, I am in what is vulgarly called a ' blue maze.' My perceptions are as imperfect as the man's in scripture who was suddenly cured of blindness. Besides I was never particu-- * [Sedgwick's note] "Thus passed her life, enjoying, from all who approached her, an affection enhanced by reverence, insomuch that when her friends sorrowed for her death, which arrived at a late period of her existence, they were comforted by the fond reflection, that the humanity which she then laid down, was the only circumstance which had placed her, in the words of scripture, ' A little lower than the angels.'" [23] larly skilful at puzzling out a moral; will you have the goodness to extract it for me?" "Certainly, Anne, as I am the lecturer, this is my duty. First, I would have young ladies believe that all beautiful and loveable young women do not of course get married — that charms and virtues may exist, and find employment in single life — that a single woman, an old maid, (I will not eschew the name,) may love and be loved if she has not a husband, and children of her own. I would have her learn that if, like Flora M'lvor, she has been surrounded by circumstances that have caused her thoughts and affections to flow in some other channel than love, she need not wed a chance Waverly to escape single life; that if, like Rebecca, she is separated by an impassable gulf from him she loves, she need not wed one whom she does not love, but like the high souled Jewess she may transmute ' young Cupid's fiery shafts,' to chains that shall link her to all her species; and if like poor Minna she has thrown away her affections on a worthless object, she may live on singly, and so well that she will be deemed but ' little lower than the angels.' "After all it is not such high natures as these that need to be fortified by argument, or example. They are born equal to either fortune. But I would en-- [25] treat all my sex — those even who have the fewest and smallest gifts — to reverence themselves, to remember that it is not so much the mode of their brief and precarious existence that is important, as the careful use of those faculties that make existence a blessing here, and above all hereafter, where there is certainly 'no marrying, nor giving in marriage;' but I am growing serious, and of course, I fear, tiresome to young ears." "Oh, no, no, Mrs. Seton. These are subjects on which girls are never tired of talking nor listening; besides, you know you promised me some examples — such as Miss Hamilton and Miss Edgeworth, I suppose." "No, Anne, these belong to the great exceptions I have mentioned, 'equal to either fortune,' who, in any condition, would have made their 'owne renowne, and happie days.'" I could adduce a few in our own country, known to both of us, who are the ornament of the high circles in which they move, but for obvious reasons I select humble persons — those who, like some little rivulet unknown to fame, bless obscure and sequestered places. There is Violet Flint — I always wondered how she came by so appropriate a name. That little [26] flower is a fit emblem for her — smiling in earliest spring, and in latest fall — requiring no culture, and yet rewarding it — neglected and forgotten when the gay tribes of summer are caressed, and yet always looking from its humble station with the same cheerful face — bright and constant through the sudden reverses of autumn, and the adversity of the roughest winter. Such is the flower, and such is Violet Flint. But as I am now in realities, I must call her by the old maidenish appellation that, spoiling her pretty name, they have given to her, 'Miss Vily.' She lives, and has for the last twenty years lived, with her brother Sam. He married young, a poor invalid, who, according to Napoleon's scale of merit, is a great woman, having given to the commonwealth nine or ten — more or less — goodly sons and daughters. After the children were born, all care of them, and of their suffering mother, devolved on Violet. Without the instincts, the claims, the rights, or the honours of a mother, she has not only done all the duties of a mother, but done them on the sure and broad basis of love. She has toiled and saved, and made others comfortable and enjoying, while she performed the usually thankless task of ordering the economy of a very frugal household. She has made the happy happier, tended the sick, [27] and solaced the miserable. She sheltered the weak, and if one of the children strayed she was the apologist and intercessor. With all this energy of goodness the cause is lost in the blessed effects — she never appears to claim applause or notice. She is not only second best; but when indulgence or pleasure is to be distributed, her share is last and least — that is, according to the usual selfish reckoning. But according to a truer and nobler scale, her amount is greatest, for she has her share in whatever happiness she sees in any living thing." How many married dames are there who repeat every fifteen minutes, my husband, my children, my house, and glorify themselves in all these little personalities, who might lay down their crowns at the feet of Violet Flint ! — Miss Vily, the old maid. "The second example that occurs to me, is Sarah Lee. Sarah has not, like Violet, escaped all the peculiarities that are supposed to characterise the 'Single-sides.' With the chartered rights of a married lady to fret, to be particular, and to have a way of her own, her temper would pass without observation; but being an old maid, she is called, and I must confess is, rather touchy. But what are these sparks, when the same fire that throws [28] them off keeps warm an overflowing stream of benevolence? — look into her room." "Oh, Mrs. Seton! I have seen it, and you must con fess it is a true 'Singleside' repository." "Yes, I do confess it — nor will I shrink from the confession, for I wish to select for my examples, not any bright particular star, but persons of ordinary gifts, in the common walks of life. Had Sarah been married she would have been a thrifty wife, and pains taking mother, but she wore away her youth in devotion to the sick and old — and now her kindness, like the miraculous cruise, always imparting and never diminishing, is enjoyed by all within her little sphere. Experience has made her one of the best physicians I know. She keeps a variety of labelled medicines for the sick, plasters and salves of her own compounding, and materials with which she concocts food and beverages of every description, nutritious and diluent; in short, she has some remedy or solace for every ill that flesh is heir to. She has a marvelous knack of gathering up fragments, of most ingeniously turning to account what would be wasted in another's hands. She not only has comfortables for shivering old women, and well patched clothes for neglected children, but she has always some pretty favour for a bride — some kind [29] token for a new-born baby. And then what a refuge is her apartment for the slip-shod members of the family who are in distress for scissors, penknife, thimble, needle, hook and eye, buttons, a needle-full of silk or worsted of any particular colour. How many broken hearts she has restored with her inexhaustible glue-pot — mending tops, doll's broken legs, and all the luckless furniture of the baby-house — to say nothing of a similar ministry to the 'minds dis eased' of the mammas. Sarah Lee's labours are not always in so humble a sphere — 'He who makes two blades of grass grow where one grew before,' says a political economist, 'is a benefactor to his race.' If so, Sarah Lee takes high rank. "Two blades of grass! Her strawberry beds produce treble the quantity of any other in the village. Her potatoes are the ' greatest yield' — her corn the earliest — her peas the richest — her squashes the sweetest — her celery the tenderest — her raspberries and currants the greatest bearers in the country. There is not a thimble-full of unoccupied earth in her garden. There are flowers of all hues, seasons, and climes. None die — none languish in her hands. "My dear Anne, I will not ask you if an existence so happy to herself, so profitable to others, [30] should be dreaded by herself, neglected or derided by others. Yet Sarah Lee is an old maid." "You are, I confess, very happy in your instances, Mrs. Seton, but remember the old proverb, 'one swallow does not make a summer.'" "I have not done yet — and you must remember that in our country, where the means of supporting a family are so easily attained, and when there are no entails to be kept up at the expense of half a dozen single sisters, the class of old maids is a very small one. Many enter the ranks, but they drop off in the natural way of matrimony. Few maintain the 'perseverance of saints.' Among those few is one, who, when she resigns the slight covering that invests her spirit, will lay down 'all she has of humanity' — our excellent friend, Lucy Ray. "She is now gently drawing to the close of a long life, which I believe she will offer up without spot or blemish. She began life with the most fragile constitution. She has had to contend with' that nervous susceptibility of temperament that so naturally engenders selfishness and irascibility, and all the miseries and weaknesses of invalidism. Not gifted with any personal beauty, or grace, she was liable to envy her more fortunate cotemporaries. Without genius, talents, or accomplishments to at-- [31] tract or delight, she has often been slighted — and what is far worse, must have been always liable to the suspicion of slights. But suspicion, that creator and purveyor of misery, never darkened her serene mind. She has lived in others and for others, with such an entire forgetfulness of self that even the wants and weakness of her mortal part seem scarcely to have intruded on her thoughts. She has resided about in the families of her friends — a mode of life which certainly has a tendency to nourish jealousy, servility, and gossipping. But for what could Lucy Ray be jealous or servile? She craved'' nothing — she asked nothing, but, like an unseen, unmarked Providence, to do good ; and as to gossipping, she had no turn for the ridiculous, no belief of evil against any human being — and as to speaking evil, 'on her lips was the law of kindness.' You would hardly think, Anne, that a feeble, shrinking creature, such as I have described, and truly, Lucy Ray, could have been desired, as an inmate with gay young people, and noisy, turbulent children. She was always welcome, for, like her Divine Master, she came to minister — not to be ministered unto. "Lucy, like the Man of Ross, is deemed passing rich by the children, and an unfailing resource to the poor in their exigencies, though her income [32] amounts to rather less than one hundred dollars!! "We sometimes admire the art of the Creator more in the exquisite mechanism of an insect than in the formation of a planet, and I have been more struck with the power of religion in the effect and exaltation it gave to the humble endowments of this meek woman, than by its splendid results in such a life as Howard's. Lucy Ray, by a faithful imitation of her master, by always aiding and never obstructing the principle of growth in her soul, has, through every discouragement and disability, reached a height but 'little lower than the angels;' and when her now flickering light disappears, she will be lamented almost as tenderly (alas! for that almost) as if she were a mother; and yet, Anne, Lucy Ray is an old maid." "You half persuade me to be one too, Mrs. Seton." "No, Anne, I would by no means persuade you or any woman to prefer single life. It is not the 'prim rose path.' Nothing less than a spirit of meekness, of self-renunciation, and of benevolence, can make a woman, who has once been first, happy in a subordinate and second best position. And this under ordinary circumstances is the highest place [33] of a single woman. Depend upon it, my dear young friend, it is safer for most of us to secure all the helps to our virtues that attend a favourable position; besides, married life is the destiny Heaven has allotted to us, and therefore best fitted to awaken all our powers, to exercise all our virtues, and call forth all our sympathies. I would persuade you that you may give dignity and interest to single life, that you may be the cause of happiness to others, and of course happy yourself — for when was the fountain dry while the stream continued to flow? If single life, according to the worst view of it, is a moral desert, the faithful, in their passage through it, are refreshed with bread from Heaven and water from the rock. "I shall conclude with a true story. The parties are not known to you. The incidents occurred long ago, and I shall take the liberty to assume names; for I would not, even at this late day, betray a secret once confided to me, though time may long since have outlawed it. My mother had a school-mate and friend whom I shall call Agnes Grey. Her father was a country clergyman with a small salary, and the blessing that usually attends it — a large family of children. Agnes was the eldest, and after her following a line of boys, as long as Ban-- [34] quo's. At least, some ten years after Agnes, long waited and prayed for, appeared a girl, who cost her mother her life. "The entire care of the helpless little creature devolved on Agnes. She had craved the happiness of possessing a sister, and now, to a sister's love, she added the tenderness of a mother. Agnes' character was formed by the discipline of circumstances — the surest of all discipline. A host of turbulent boys, thoughtless and impetuous, but kind-hearted, bright, and loving, had called forth her exertions and affections, and no one can doubt, either as lures or goads, had helped her on the road to heaven. Nature had, happily, endowed her with a robust constitution, and its usual accompaniment, a sweet temper; so that what were mountains to others, were mole hills to Agnes. 'The baby,' of course, was the pet lamb of the fold. She was named, for her mother, Elizabeth; but, instead of that queenly appellation, she was always addressed by the endearing diminutive of Lizzy. Lizzy Gray was not only the pet of father, brothers, and sister at home — but the plaything of the village. "The old women knit their brightest yarn into tippets and stockings for the ' minister's motherless little one' (oh, what an eloquent appeal was in [35] those words!) the old men saved the ' red cheeked' apples for her — the boys drew her, hour after hour, in her little wagon, and the girls made her rag babies. Still she was not in any disagreeable sense an enfant gatee. She was like those flowers that thrive best in warm and continued sunshine. Her soft hazel eye, with its dark sentimental lashes, the clear brunette tint of her complexion, and her graceful flexible lips, truly ex pressed her tender, loving, and gentle spirit. She seemed formed to be sheltered and cherished — to love and be loved; and this destiny appeared to be secured to her by her devoted sister, who never counted any exertion or sacrifice that procured an advantage or pleasure for Lizzy. When Lizzy was about fourteen, a relative of the family, who kept a first rate boarding school in the city, offered to take her for two years, and give her all the advantages of her school, for the small consideration of fifty dollars per annum. Small as it was, it amounted to a tithe of the parson's income. It is well known, that, in certain parts of our country, everything (not always discreetly) is sacrificed to the hobby — education. Still the prudent father, who had already two sons at college, hesitated — did not consent till Agnes ascertained that by keeping a little school in the village she might obtain [36] half the required sum. Her father, brothers, and friends all remonstrated. The toils of a school, in addition to the care and labour of her father's family, was, they urged, too much for her — but she laughed at them. 'What was labour to her if she could benefit Lizzy — dear Lizzy!' All ended, as might be expected, in Lizzy going to the grand boarding school. The parting was a great and trying event in the family. It was soon followed by a sadder. The father suddenly sickened and died — and nothing was left for his family hut his house and well kept little garden. What now was to be done?— - College and schools to be given up? — No such thing. In our country, if a youth is rich he ought to be educated; if he is poor he must be. The education is the capital whereby they are to live hereafter. It is obtained in that mysterious but unfailing way — ' by hook and by crook.'" The elder Grays remained in college — Agnes enlarged her school — learned lessons in mathematics and Latin one day, and taught them the next ; took a poor, accomplished young lady from some broken down family in town into partnership, and received a few young misses as boarders into her family. Thus, she not only was able to pay ' dear Lizzy's' bills regularly, but to aid her younger brothers. Her [37] energy and success set all her other attractions in a strong light, and she was admired and talked about, and became quite the queen of the village. "I think it was about a year after her father's death, that a Mr. Henry Orne, a native of the village, who was engaged in a profitable business at the south, returned to pass some months at his early home. His frequent visits to the parsonage, and his attentions, on all occasions, to Agnes, soon became matter of very agreeable speculation to the gossips of the village. 'What a fine match he would be for Agnes! — such an engaging, well-informed young man, and so well off!' Agnes' heart was not steel; but though it had been exposed to many a flame she had kindled, in had never yet melted." "Pardon me, Mrs. Seton, for interrupting you — was Agnes pretty?" "Pretty? The word did not exactly suit her. At the time of which I am now speaking, she was at the mature age of five and twenty; which is called the perfection of womanhood. Prettiness is rather appropriate to the bud than the ripened fruit. Agnes, I have been told, had a fine person — symmetrical features, and so charming an expression that she was not far from beautiful, in the eyes of strangers, and quite a beauty to her friends and lovers. [38] Whether it were beauty, manners, mind, or heart, I know not — one and all probably — but Henry Orne soon became her assiduous and professed admirer. Till now Agnes had lived satisfied and happy with subordinate affections. She had never seen anyone that she thought it possible she could love as well as she loved those to whom nature had allied her. But now the sun arose, and other lights became dim — not 'that she loved Caesar less, but she loved Rome more.' Their mutual faith was plighted, and both believed, as all real lovers do, that the world never contained so happy, so blessed a pair, as they were. "Lizzy's second year at school was nearly ended, and one month after her return the marriage was to be solemnised. In the meantime Agnes was full of the cares of this world. The usual preparations for the greatest occasion in a woman's life are quite enough for any single pair of hands, but Agnes had to complete her school term, and the possibility of swerving from an engagement never occurred to her. "Lizzy arrived, as lovely a creature as she had appeared in the dreams of her fond sister. In the freshness and untouched beauty of her young existence, just freed from the trammels of school, her [39] round cheek glowing with health, and her heart overflowing with happiness. 'Here is my own dear Lizzy,' said Agnes, as she presented her to Henry Orne, 'and if you do not love me for anything else, you must for giving you such a sister.' "Henry Orne looked at Lizzy and thought, and said, ' the duty would be a very easy one.' 'For the next month,' continued Agnes, 'I shall be incessantly occupied, and you must entertain one another. Henry has bought a nice little pony for me, Lizzy, and he shall teach you to ride, and you shall go over all his scrambling walks with him — to Sky-cliff, Rose- glen, and Beech-cove — the place he says nature made for lovers; but my poor lover has had to accommodate himself to my working day life and woo me in beaten paths.' "The next month was the most joyous of Lizzy's life; every day was a festival. To the perfection of animal existence in the country, in the month of June, was added the keen sense of all that physical nature conveys to the susceptible mind. "Wherever she was, her sweet voice was heard ringing in laughter, or swelling in music that seemed the voice of irrepressible joy — the spontaneous breathing of her soul. To the lover approaching his marriage day Time is apt to drag along with [40] leaden foot, but to Henry Orne he seemed rather to fly with Mercury's wings at his heels; and when Agnes found herself compelled by the accumulation of her affairs, to defer her wedding for another month, he submitted with a better grace than could have been expected. Not many days of this second term had elapsed, when Agnes, amidst all her cares, as watchful of Lizzy as a mother of an only child, observed a change stealing over her. Her stock of spirits seemed suddenly ex pended, her colour faded — her motions were languid, and each successive day she became more and more dejected. 'She wants rest,' said Agnes to Henry Orne; she has been unnaturally excited, and there is now a reaction. She must remain quietly at home for a time, on the sofa, in a darkened room, and you, Henry, I am sure, will, for my sake, give up your riding and walking for a few days, and stay within doors, and play on your flute, and read to her.' Agnes' suggestions were promptly obeyed, but without the happy effect she anticipated. Lizzy, who had never before had a cloud on her brow, seemed to have passed under a total eclipse. She became each day more sad and nervous. A tender word from Agnes — a look, even, would make her burst into tears. "'I am miserable, Henry,' said Agnes, ' at this [41] unaccountable change in Lizzy — the doctor says she is perfectly free from disease — perhaps we have made too sudden a transition from excessive exercise to none at all. The evening is dry and fine, I wish you would induce her to take a walk with you. She is distressed at my anxiety, and I cannot propose any thing that does not move her to tears.' "'It is very much the same with me,' replied Henry, sighing deeply, but if you wish it I will ask her.' He accordingly did so — she consented, and they went out together. "Agnes retired to her own apartment, and there, throwing herself upon her knees, she entreated her Heavenly Father to withdraw this sudden infusion of bitterness from her brimming cup of happiness. 'Try me in any other way,' she cried, in the intensity of her feeling, and, for the first time in her life, forgetting that every petition should be in the spirit of ' Thy will be done,' 'try me in any other way, but show me the means of restoring my sister — my child to health and happiness!' "She returned again to her little parlour. Lizzy had not come in, and she sat down on the sofa near an open window, and resigned herself to musings, the occupation, if occupation it may be called, of the idle, but rarely, and never of late, Agnes! [42] In a few moments Lizzy and Henry returned, and came into the porch, adjoining the parlour. They perceived the candles were not lighted, and concluding Agnes was not there, they sat down in the porch.' "'Oh, I am too wretched!' said Lizzy. Her voice was low and broken, and she was evidently weeping. 'Is it possible,' thought Agnes, ' that she will express her feelings more freely to Henry than to me? I will listen. If she knows any cause for her dejection, I am sure I can remove it.' "'Why, my beloved Lizzy,' replied Orne, in a scarcely audible voice, 'will you be so wretched — why will you make me so, and forever, when there is a remedy?' "'Henry Orne!' she exclaimed, and there was resolution and indignation in her voice. 'If you name that to me again, I will never, so help me God, permit you to come into my presence without witnesses. No, there is no remedy, but in death. Would that it had come before you told me you loved me — before my lips confessed my sinful love for you — no, no — the secret shall be buried in my grave.; "'Oh, Lizzy, you are mad — Agnes does not, cannot love as we do. Why sacrifice two to one? Let [43] me, before it is too late, tell her the whole, and cast myself on her generosity.' '"Never, never — I now wish, when I am in her presence, that the earth at her feet would swallow me up; and how can you, for a moment, think I will ask to be made happy — that I could be made happy, at her expense ? No, I am willing to expiate with my life, my baseness to her — that I shall soon do so is my only comfort — and you will soon forget me — men can forget, they say —' "'Never — on my knees, I swear never!' — "'Stop, for mercy's sake, stop. You must not speak another such word to me — I will not hear it.' She rose to enter the house. Agnes slipped through a private passage to her own apartment. "She heard Lizzy ascending the stairs. She heard Henry call after her, ' One word, Lizzy — for mercy's sake, one last word.' But Lizzy did not turn. Agnes heard her feebly drag herself into the little dressing- room adjoining their apartment, and after, there was no sound but the poor girl's suppressed, but still audible sobs. "None but He who created the elements that compose the human heart, and who can penetrate its mysterious depths, can know which of the sisters was most wretched at that moment. To Agnes who [44] had loved deeply, confidingly without a shadow of fear or distrust, the reverse was total. To Lizzy who had enjoyed for a moment the bewildering fervours of a young love, only to feel its misery, that misery was embittered by a sense of wrong done to her sister. And yet it had not been a willing, but an involuntary and resisted, and most heartily repented wrong. She had recklessly rushed down a steep to a fearful precipice, and now felt that all access and passage to return was shut against her. Agnes without having had one dim fear — without any preparation, saw an abyss yawning at their feet — an abyss only to be closed by her self-immolation. "She remained alone for many hours — she resolved — her spirit faltered — she re-resolved. She thought of all Lizzy had been to her, and of all she had been to Lizzy, and she wept as if her heart would break. She remembered the prayer that her impatient spirit had sent forth that evening. She prayed again, and a holy calm, never again to be disturbed, took possession of her soul. "There is a power in goodness, pure self-renouncing goodness, that cannot be ' overcome, but overcometh all things.' "Lizzy waited till all was quiet in her sister's room. She heard her get into bed, and then stole [45] softly to her. Agnes, as she had done from Lizzy's infancy, opened her arms to receive her, and Lizzy pillowed her aching head on Agnes' bosom, softly breathing, — 'My sister — mother !' "'My own Lizzy — my child' answered Agnes. There was no tell-tale faltering of the voice. She felt a tear trickle from Lizzy's cold cheek on to her bosom, and not very long after both sisters were in a sleep that mortals might envy, and angels smile on. "The rest you will anticipate, my dear Anne. The disclosure to the lovers of her discovery, was made by Agnes in the right way, and at the right time. Everything was done as it should be by this most admirable woman. She seemed, indeed, to feel as a guardian angel might, who, by some remission of his vigilance, had suffered the frail mortal in his care to be beguiled into evil. She never, by word, or even look, reproached Lizzy. She shielded her, as far as possible, from self-reproach, nor do I believe she ever felt more unmixed tenderness and love for her, than when, at the end of a few months, she saw her married to Henry Orne. "My story has yet a sad supplement. Madame Cotin, I believe it is, advises a story teller to close the tale when he comes to a happy day; for, she says, it is not probable another will succeed it. [46] Poor Lizzy had experience of this sad mutability of human life. Hers was checquered with many sorrows. "Lapses from virtue at eight and twenty, and at sixteen, afford very different indications of the character; you cannot expect much from a man, who, at eight and twenty, acted the part of Henry Orne. He was unfaithful in engagements with persons less merciful than Agnes Gray. He became inconstant in his pursuits — self-indulgent, and idle, and finally intemperate, in his habits. His wife — as wives will — loved him to the end. "Agnes retained her school, which had become in her hands a profitable establishment. There she laboured, year after year, with a courageous heart, and serene countenance, and devoted the fruit of all her toils to Lizzy, and to the education of her children. "I am telling no fiction, and I see you believe me, for the tears are trembling in your eyes — do not re press them, but permit them to embalm the memory of an old maid.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Old Maids" Subject The topic of the resource Sacrifice, stigma towards unmarried women, alternatives to marriage. Description An account of the resource Two women are discussing the negative views of old maids, and one gives the sad account of an old maid who gave up her true love for the happiness of her sister, and the unintended consequences of that sacrifice for all of the parties involved. Creator An entity primarily responsible for making the resource Sedgwick, Catharine M. Miss Sedgwick Source A related resource from which the described resource is derived “Old Maids,” <em>The Offering, </em> 17-46, Philadelphia, Thomas T. Ash, 1834. Date A point or period of time associated with an event in the lifecycle of the resource 1834 Contributor An entity responsible for making contributions to the resource J. Robinson; D. Gussman Relation A related resource Annual reissued as <em>The Wreath of Friendship</em>, 1837.<br />Reprinted in <em>The Casket</em>, March 1834, 137-139 and<br /><em>Tales and Sketches </em>by Catharine Maria Sedgwick, Philadelphia: Carey, Lea and Blanchard, 1835: 97-116.<br />Collected in <em>Old Maids: Short Stories by Nineteenth-Century U.S. Women Writers</em>, ed. Susan Koppelman, Boston: Pandora Press, 1984: 11-26. Language A language of the resource English Type The nature or genre of the resource Document "Madame Cotin" [Sophie Ristaud Cottin] "Man of Ross" [John Kyrle] boarding school heaven Jew John MacKenzie marriage Napoleon old maid prayer sacrifice singlehood Sir Walter Scott sisters teaching tears The Offering The Pirate virtue Waverley