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1846
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Stories published in 1846.
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New-Year’s Day.
By Miss Catherine M. Sedgwick
[p.83]
In the year 183-- , when speculation—that black art evasion of the laws God has instituted between labor and property, laws for the protection of human virtue—was at its fever height in the city of New York, Mr. Lyell, a gentleman whose years and position seemed to have moored him in one of those bays past which the stream might rush without dragging him with the torrent, returned to his home much excited. He was too much occupied with his own thoughts to observe that two young persons, whom his entrance disconcerted, were at that moment threading together one of those tangled paths that but for his ill-timed appearance might have led them into the bright world of their hopes. Ellen Lyell threw back the curls that had fallen over her burning cheek and resumed her worsted-work, heeding neither colors nor thread, and Haskett Mercer snatched the evening paper and seemed devouring its contents.
“I am glad to find you here, Mercer,” said Mr. Lyell, “it is not often I leave poor Ellen alone. Any thing new in the paper? Have you looked at the stocks? Still rising are they not?”
Mercer turned mechanically to the stock-table and read it aloud.
“Yes, up—up—up,” resumed Mr. Mercer. “What is the world coming to? every body is getting rich. William and Gordon have made a matter of forty thousand dollars since last week, Ellen.”
“Forty thousand since last week!” repeated Ellen without turning her eyes from her work.
“ Yes, forty thousand. Is that such every day news that you answer me like a faint echo. Forty thousand is worth your lifting your bright eyes from your work, Miss Ellen. If your brothers’ luck holds, they will soon be the richest men of their name.”
“Will they be the happiest?”
“To be sure—that is, they will be so much the happier as they are the richer. Mercer, why don’t you go out into this shower of gold? What is the use of always having your plate bottom side upward?”
“I am afraid, sir, that we are deluded by a false light and that which now seems gold will prove to be mist, and melt away.”
“Nonsense, Mercer, nonsense! Don’t I tell you my boys have realized forty thousand dollars?”
“They have capital, Mr. Mercer. I have none—at least none but my regular business education and my industry. These afford no basis for speculation. Indeed that has no basis. The indolent, ignorant and unscrupulous are the most daring in these times and, for the most part, the most successful.”
“It was so in the beginning, I admit,” said Mr. Lyell, “ but now everybody sees the times are peculiar and all are putting into the lottery. Town and country are alive! Prudent old merchants that have gone on in a jog-trot way the last thirty years are studying charts of new lots and maps of Western lands; lawyers are getting up monied in institutions; literary men are in Wall street, and widows are speculating in the stocks. Common rules wont do now, Mercer. Every thing goes by a succession of accidents. I am sure nobody can explain why property, real property, should be worth fifty per cent more than it was two or three years ago?”
“Perhaps, sir, if you were to say why it should sell for fifty per cent more, next year may solve the riddle. The present prices cannot be sustained. Land is at this moment selling upon a hypothesis of our having in a few years some millions of population on this island.”
“Well, if it be a delusion, why not take advantage of it, Mercer? My sons offered me a share in a purchase they are to make to-morrow. I promised them to consider of it. I have done so during my cool walk home this evening and come to the conclusion to follow the good old rule and let well enough alone. At my age the care of new riches would be burdensome. I have been just as I am all my life, which, in this up and down city, few can say. I am not far from the end and I had rather finish as I began. I have enough for Ellen and me, and my sons are getting rich on their own account. But you, Mercer—you are a young man; without a money capital, you will have a long struggle of it. You will grow gray before you will dare ask a woman to marry you, if instead of taking advantage of this strange state of thing, you plod on?”
“But what am I to do, Mr. Lyell?” replied Mercer, whose pulses were quickened by some of Mr. Lyell’s suggestions. “I have no money for the venture, and if I could obtain credit I would not without property to sustain it. There is quite too much of this dishonorable mode of business carried on among us.”
[p.84]
Ellen for the first time put in her word to say: “It seems to me this universal passion for riches is vulgar. Surely there is something better and nobler in this world to struggle for.”
“Whew, Miss Ellen! ‘Love in a cottage,’ is it? ‘That is bon pour la campagne,’ as the French say; ‘very well out in the bush,’ as your old Dutch granddame would have had it, but in town (and Mr. Lyell winked at Mercer) love can’t live in a cottage. It must have at least a neat two story house, with money enough to go to market in the morning and pay the servants on Saturday night.
“Now, Mercer, I am a prudent man and have no fears. I will endorse your note. You shall go into this speculation with the boys, and, as matters are going, you may sell out at the end of a month with a very decent little fortune. Your share of the purchase will be about twenty thousand dollars.”
“Enter not into temptation, Mr. Mercer,” said Ellen, with an arch smile. But Mercer had already entered in. His castle was already built in the shape of the neat two story house, and the conviction that Mr. Lyell had discerned his hopes and had presented the only mode of attaining them took possession of him. After a short silence and a stolen glance at Ellen, which conjured up intoxicating images in his brain, he snatched his hat, saying,” I will see your sons this evening, Mr. Lyell, and if they are disposed to let me into this partnership I will accept your very kind offer.”
“Not so very kind; no, if there were the slightest risk I would not make it—for twenty thousand dollars is nearly two thirds of all I am worth in world.”
“And if there be risk, I would sooner cut off my right hand than take it, be assured of that, Mr. Lyell.”
And never was there a more conscientious assurance, but unfortunately Mercer was beginning to feel the general intoxication. He found the young Lyells eager to admit him an equal partner in their speculation. They particularly liked him. They suspected their sister was not indifferent to him. They knew he was not to her. They were elated with their recent success, and fancied Mercer had only to embark with them to launch on the flood that led to certain fortune. But, alas! the ebb-tide had even then, unperceived, begun.
The purchase was made, all the late gains of the brothers invested and the father’s name pledged for Haskett Mercer.
Shortly after Mercer was employed by a company in New York to go to Illinois to examine some recent purchases of “fancy lots” made there. Before leaving the city he went to Mr. Lyell’s to take leave of Ellen. It was four o’clock—the steamer left the wharf at five. He had but fifteen minutes to spare. He had no purpose what to say, but he was in that excited state of mind when fifteen minutes gives the color to one’s life. Nature is in some minds more rapid than the magnetic telegraph.
“Miss Ellen is not home,” said the servant who answered to Mercer’s ring. “She and the old gentleman have gone down to Mr. Gordon’s.”
Poor Mercer turned away thinking how interminable the four weeks of his absence would seem, but vainly casting the fashion of the uncertain future, he little thought that was the last time his foot would be upon Mr. Lyell’s door step.
As he hastened up the street he met an old mercantile friend of Mr. Lyells, one of those men infallibly weather-wise in the trading world.
“I hope,” he said, “the Lyells have not made the purchase they were talking of?”
“They have.”
“I am sorry for it. It will be a bad concern. I am glad, at any rate, that my old friend’s neck is out of the scrape. It may prove a good lesson to the young men.”
Mercer had no time to hear further. He went on his way, and carried with him a load of remorse and anxiety.
His journey was long and painful. Wherever he went the demon of speculation had been before him and ruin was following in his train. His business was perplexing and detained him through the sickly season. He took the fever of the country, bad enough under any circumstances, but alarmingly aggravated by his complicated anxieties. Happily his ravings of Ellen Lyell, of angry father, and of bankruptcy fell on the ears of strangers. His discrete physician withheld the letters that came for him. Till, though still staggering debility, he was on the eve of beginning his homeward journey. There were several from the brothers Lyell, one from their father, and one from Ellen. This last was first read and ran as follows. “My dear friend, my father told me yesterday that he had written you. I fear his letter is filled with reproaches. You will not be surprised that disappointment and loss should irritate his too susceptible temper. Your agency in this unhappy affair will, I know, grieve you, but you should be consoled by remembering that you embarked in it at my father’s urgent request, and with expressed reluctance.
“For myself I have nothing to regret, our condition is yet far above want. The wise people tell us that fortune and ease are not the best ministers to the human character, and I already find that enforced occupation, if it does not end the evils it opposes, at least furnishes a panoply divine against ennui and repining.
“My brothers have waked from their dream of illimitable fortunes and have entered upon a career of patient industry. This early check is like to prove a great blessing to them. Already they
[p.85]
have time and tranquility for domestic enjoyment. We have heard of your illness. Do not let your friends continue in ignorance of your precise condition.
This letter was four weeks old. If the tears were unmanly that fell upon it they must be divided between the weakness of Mercer’s body and the weakness of his heart. Its generous tone fortified for the shock that was to follow.
The father’s letter began: “Your scoundrelly conduct, Mercer, in sneaking out of town and hiding yourself in the Western woods, while I was left to hear the brunt of this ruinous business is not to be forgotten. Never presume to come into my presence again, nor any presence, to speak to my daughter. Past friendships are forgotten—past injuries, which have involved me in remediless ruin can never be.”
The brothers’ letters were filled with details of mercantile disasters. They informed Mercer that in default of his payment of his portion of the purchase money, their father, at a great sacrifice of his property, had met his engagements, and that, after satisfying the debt, nothing remained to him but his house and a few thousand dollars. They absolved Mercer from blame and wrote with the courageous hope of youth.
But Mercer could not absolve himself. He had weakly yielded to the first temptation to join the rash and wicked throng who ‘make haste to be rich.’ He had departed from the principles which he had adopted as the rule of his life—the principle that fortune is the legitimate result of labor and that it stands low in the scale of human felicities.
Expiation of his faults was all that now remained to him, and he determined to waste no time in weak inaction and vain repairing. “I have lost,” he said, as his thoughts reverted to Ellen, with an anguish that cut through his heart, “the greatest blessing ever within the grasp of man. I will not too lose true honor.”
It was a brilliant new-Year’s morning in the year 184--. Many may still remember it. Ellen Lyell was still Ellen Lyell, but how changed since that memorable evening five years before, when love and its bright train filled the imagination of the young woman of nineteen! Sudden and sharp disappointment had followed, ad to that a softened, thoughtful regret, which gave rather a pensive aspect to a life filled with rigorous duty. She occupied with her father a very small house in Madison street, where by the rent of their nice house in Chamber street, the income of the wreck of her father’s property and her own earnings she contrived to continue to him the ease and comfort of his more prosperous days. She had risen early to arrange her household for the day and make her preparations for this pleasant gift season. She and her little German housemaid, her maid of all work, had before the day dawned put the last polishing touch of studious neatness, that adornment of a modest condition, to her two small communicating parlors.
“Now, Miss Ellen,” said Gretchen, “ every thing is ready and right.”
“Not quite, Gretchen; this window curtain has been pulled out of place. There, now the folds are even; do you hold it while I tie it.”
This was done, and both mistress and maid turning their eyes towards the sky at the same moment saw the moon still shining through the immeasurable depths of a clear winter sky.
“There!” exclaimed Gretchen, “is the waning moon seen over the right shoulder of us both on a New- Year’s morning: the best token of all the year, and sent not sought—for no eye but your’s, Miss Ellen, would have seen the curtain was not straight, and but for your seeing that we should have seen the moon.”
“Well, dear Gretchen, what particular happiness of the happy New-Year does this lucky sight betoken?”
“Ah, that the day must show, Miss Ellen. If you have a betrothed he will bring you the gifts you desire, or if you have not one, the day will show him to you. Something will chance concerning what maidens think most of. I see you don’t believe a word of it, Miss Ellen, but it is so in my country. Among my people there are signs and omens for every day in the year, and unseen spirits for every dark hour, but here you only see and hear with the eye and ear of flesh; not even the blessed Christchild, that comes to prince and peasant in my country, comes to this dreary land.”
“Dreary and disenchanted it seems to you, Gretchen, but our matter of fact lives save us from idle expectations. Now, for instance, if you and I, believing in this sign of your’s, were looking out for our betrothed or his gifts to-day, it would be all moonshine.”
“Oh, as to me, Miss Ellen, I am away from my people, and I have left my luck behind me; but you, what does Mr. Lawrence come every day for? And why is it that one launch of flowers has never time to fade before another comes in the place of it?”
“Nonsense, Gretchen, we are wasting time; bring me down the covered basket from my bureau.”
“Miss Ellen,” thought Gretchen, as she proceeded to obey her, “thinks I don’t know, but I can tell her there are some things that speak the same in all languages. I can tell what that look in the eye and that melt in the voice means as well as
[p.86]
another. Well, Mr. Lawrence is a nice man; good, every body says, young and rich, and that is what few ladies despise, and Miss Ellen knows the worth of it by the want of it. It’s only by working and sparing from year’s end to year’s end, that she gets wine for her father’s table and cigars for him to smoke. It’s strange how some people do all the work in this world and others all the play. The old man is often fretting and Miss Ellen never is. The workers are the happiest may be after all?”
We did not get at Gretchen’s thoughts by any necromancy. She was one of those liberal people who inflict the reveries of their solitary moments upon the first doomed ears they encountered, beginning their social chats with “I was thinking.”
The basket was brought and Ellen arranged the gifts she had prepared for her brother’s children on her beautiful lauristina whose top, as it stood in the corner of the room, brushed the ceiling. Net purses, gay colored bags, embroidered suspenders for a favorite little nephew, and dainty little bright slippers peeped from among the rich clusters of white flowers.
Skill and love were inwrought in all these pretty gifts. Every stitch in them had been set by Aunt Ellen’s kind hand: every flower upon them was an emblem of her unwearied love. Money could not buy gifts so rich.
“There is something for you, my good Gretchen,” said Ellen. Gretchen’s eyes sparkled as she took from her mistress’ hand a small, pretty plaid silk shawl. A shower of thanks were pouring from her lips when Ellen said, “ do not you see there is something within the shawl.” Gretchen unpinned and opened it. It was a picture, a colored view of a small town on the Rhine, done with great exactness of coloring and drawing, by a young artist friend of Ellen Lyell, at her request. Gretchen’s words were checked for a moment, but tears, far more eloquent than words, gushed from her eyes as she turned from the picture to Ellen?
“Oh, dear Miss Ellen,” she said, “ who but you would have ever thought of this? And now don’t you believe the blessed moon this morning, was a true token. Ah, Branbach! My dear old home! Ah, Miss Ellen, look here, look here just under that part of the castle. There is where we lived; there all the Wepels lived back and back in the ages, when the old castle that stands there now, on the very top of the rocks on that high hill—Oh, many’s the time Brant and Hildergund and I have climbed to it—What was I saying? Yes, when the castle that’s as old as St. Mark, had its jolly knights, the Wepels lived in the cottage below it, and when it was a prison of state it was one of my forefathers that kept the keys of the discarded room of torture, and when it was turned into a hospital it was my grandmother’s mother that tended the sick. There is the old chateau, too, and there the chapel, and there the old stone bench, and those parings; and there the very pile of dirt always before old Weisen’s door; and there, where you can almost touch the boats as they pass up and down the terrace garden to the old chateau, and there you turn and go up to the vineyard planted among the rocks, and so steep that they go on ladders to the vines. Oh, my beautiful land!—my home!—dear old Branback!” Poor Gretchen had forgotten herself—the picture of her home had worked a spell upon her imagination, and her last exclamations were in German.
“What is all this lingo about?” exclaimed Mr. Lyell, entering the room and effectually breaking the spell. “The little dirty village of Branback,” he added, turning his eyes on the picture. “I remember it well, and the greasy dinner I got there. I see no sign of breakfast, Ellen. Do you think I can eat your New-Year’s gifts?”
“Not eat the, but wear them, sir,” replied Ellen, placing at his feet a pair of new slippers. “We have set the breakfast table in the next room; it is quite ready. Bring up the coffee and cakes, Gretchen.”
“It will be cold there; it’s always cold there in the morning. What did you put in there for?”
“The children begged to have their presents hung on a tree, and I could not move my lauristina!”
“And they must have it their own way. It used to be ‘first come first served,’ but now the very last come is first and best served; the brat of a baby before its grandfather.”
Ellen made no reply, but opened the door into the next room where the fire having been kindled long before day-light, the air was genially warm, the coals glowed in the full grate, the coffee sent up its aromatic perfume—incense fit for the gods—and the lightest buckwheats were smoking on the table. There was a sausage too, (Mr. Lyell’s sine qua non,) and fresh honey and Scotch marmalade, his favorite dainties, got by Ellen with some trouble by way of a New-Year’s treat to her father. His frosty humor melted; the slippers he said “were a nice fit, the room was warm, and, the whole, he did not care if the children for once had it their own way, and it was thoughtful of you, Ellen, to get this delicious honey for me.”
Ellen was not hardened to the caprices of her father’s temper. She was fortified by the resolution not to resist but endure. She had long ago made up her mind that it was an infirmity not to be cured, but that patience was armor of proof against it. Patient continuance in well-doing is a sovereign remedy against most of the evils of life and a certain salvation from its worst remorse.
“Where is the morning paper, Gretchen, asked Mr. Lyell. Can’t you remember to put it on the table? You know I always want it.”
[p.87]
There is no morning paper on New-Year’s Mr. Lyell.”
“Ah, true! Give me last evening’s paper then.”
“The old gentleman must have his morning and his evening paper,” said Gretchen to a visitor in the kitchen,” though Miss Ellen would not even buy herself one new gown this New-Year’s; well, she looked pretty enough in her old ones. It seems as if her beautiful soul came out more and more every day into her face.”
Mr. Lyell’s eyes ran over the paper carelessly. Suddenly his attention was arrested, as Ellen observed, by something keenly interesting. He knit his brows, bit his lips, threw down the paper, lighted his cigar, smoked a few whiffs, then threw it away, walked up and down the room biting his nails according to his habit when excessively vexed, and was leaving the room when at the door he met Gretchen, all smiles, bringing in a very beautiful lady’s writing-desk of ivory inlaid in ebony.
“Where did that come from?” he asked.
“It is for Miss Ellen, sir, and the servant that brings all Mr. Lawrence’s flowers and things brought it.”
“John, from the Astor house; was there no message?”
“None, sir.”
“It is from Lawrence, of course, Ellen; splendid, is it not? Do you hear, Ellen? Do you see?”
“Yes, sir, replied Ellen, looking cold and impassive.
“I would not advise him to waste his gifts here. Strange—strange,” he muttered “that the only man you ever cared for should have been that rascal!”
“I do not deserve that, nor does Mercer,” she thought. “I wish Lawrence would send no more of his gifts here; they ruffle my father, and are embarrassing to me; my father was just getting into the spirit of the day. But it was something in the paper that turned the current. Stocks have fallen, I suppose; but what is that to us?” She was familiar with the stock-table for she read it every evening with her father. She looked it over. Stocks were rising, and she came to the natural conclusion that her father was vexed that he no longer had any interest in the prosperous turn the affairs of the city had taken.
That an old age which should have been serene and grateful should be chafed by sordid cares—that all her pains to soften it with the luxuries that habit had made necessary should be unfelt, filled Ellen’s bosom for a moment with sadness and a sense of injustice. It was but for a moment; she wiped away the gathering tears and turned to receive with smiles and caresses the children who were bursting into the room with their clamorous happy New-Year’s to Aunt Ellen. The stream must deposit a portion of the golden sands its channel is bearing onward. Ellen Lyell could not be unhappy while she was the source of happiness or cheerfulness. There are those who would have reckoned it a hard fate to minister to a thankless, fretful, exacting old man; to have been cut off in the prime of youth from the dearest expectations; to receive, as Ellen did at first, employment as favor and patronage; to see her gay young friends and fashionable acquaintance falling away from her; to be obliged to contract the circle of her wants, and to cut off the accustomed gratifications of her past position and the pleasures natural to her time of life. In all this there were elements enough of discontent to a common character.
But my friend Ellen’s was not a common character. She began with the great truth that it matters not so much how we are, as what we are—that is not our circumstances, but what we make of them, that is out great concern; not the agreeable sensations of to-day that are of most import to us, but the retrospect of to-morrow. If her father was more than usually unreasonable, she redoubled her patience. She smiled at the supercilious of late friends (friends after common parlance) become patrons, and she received gratefully employment from those whose respect was enhanced by the manifestation of virtues which the change of her condition brought into action. If her gay friends fell away from her she felt no asperity towards them; they had their pleasures, she her duties; there were few points of real sympathy between them, and in her secret heart she might well have thought she was rather the gainer than loser by the change in their relations.
One evil there was in her condition which was a serious unhappiness to her. The Mr. Lawrence to whom we have adverted, was her preserving lover. His sister was her favorite friend. He had an immense fortune. He was a young man of good principles and good feelings. The world said “ a splendid match for Ellen Lyell,” “You know the most fervent wish of my heart,” Margaret Lawrence had once said to her, and she said no more.
“You must do as you choose; all young people do so now-a-days,” said her father, “ but I would lay any wager you are the only woman in the United States who would not snap at Arthur Lawrence.”
“Do as you think best, my dear sister,” said her brother Gordon,” but I must say there are few worthier men than Arthur Lawrence.”
“You would marry Arthur Lawrence, Ellen,” said her brother William, “if you could forget—and those should forget who are forgotten!”
“You misunderstood me, William,” she replied, provoked to express the feelings her delicacy had restrained, “I would not marry Arthur Lawrence were he the only man in the world. I do not
[p.88]
love him, that should be reason enough. I cannot love a man whose character is no sense accords with mine. Arthur Lawrence is, you know it, William, a common man—nothing more nor less; of virtuous habits, no doubt; amiable and well disposed; but would you, would my father, would Gordon, would any of my friends esteem him a suitable match for me were he stripped of his fortune! I may seem to you proud or vain, or both; but I should require in my husband some correspondence of endowment, of cultivation, of capability, of taste to my own, and I hold that only to be a pure marriage where this exists. “I have not forgotten,” she added, blushing to her temples, “ that such a marriage was once within the circle of my hope; nor do I forget that it no longer is. I cherish no vain wishes no vain regrets. I see no danger of uselessness of dreariness in single life; no danger of wanting objects for my affections while yours and Gordon’s families are multiplying every year.”
“Forgive my, dear sister,” said her brother, “ we have erred in measuring you by common women.”
“That is not quite all your mistake, William; women are not allowed to use their powers of independence. The vulgar world has made marriage a necessity to them, and they dare not follow the true impulses of their hearts—the honest demands of their nature; and thus it comes that marriage, God’s own most blessed institution, is so often perverted to what it is.”
But we have left too long the conclusion of our short story. The day went on; Ellen’s visitors were not numerous, but they were old and well tried friends, with a sprinkling of young ones, who were attracted out of the fashionable beat by Ellen Lyell’s charms and graces, which, if they had lost the effect of novelty at twenty-four, in our world of Spring blossoms, had gained by their maturity, expression and force.
Arthur Lawrence came with the first and lingered to the last.
“I have not seen your father to-day,” he said to Ellen.
“You can see him,” said little Nelly Lyell, “for I saw him take a big parcel of papers off the entry table, and go up stairs with it, and I went to show him Aunt Ellen’s new desk; I could not make him look up from his papers; but he did not look cross, and he did not scold me, though I spoke twice to him.”
“Have you see Aunt Ellen’s new desk, Mr. Lawrence?”
“No, Nelly, I did not know your aunt had a new one.”
Ellen looked at him with surprise; but as Lawrence was one of those people who never ambush their actions, she was convinced he was innocent of the gift.
“Don’t you know, Aunt Ellen, who sent you the desk;” pursued the little girl.
“No, Nelly, I cannot even guess.”
“Oh, she does know, she does know,” insisted the child, mischievously, “ she knows it’s you—because you know you send her every thing; lots of flowers, and lots of books. I should love you if you gave me so many things; don’t you love him, Aunt Ellen?”
To Ellen’s infinite relief the door opened and her father appeared at it, not lowering as he had left her in the morning, but bright and smiling as a clear October sky at mid-day.
“Ellen, my dear,” he said, “I am going out to ask a friend to come home and dine with me; don’t ask any other company. You have a good dinner, I hope. Oh, Mr. Lawrence, I did not observe you; good day, sir”. He stood for a moment as if wavering, then beckoned Ellen to him and whispered—“if you want to know what company you are to have, look over the arrivals in last evening’s paper.”
But last evening’s paper was not to be found, and Ellen could get no solution of her father’s sudden good humor and extraordinary abstraction; for more extraordinary it was that he should have remained for one minute unconscious of Mr. Lawrence’s presence.
“There is no use,” said Lawrence that very evening, to his sister, “in thinking any longer of Ellen Lyell; she is as cold as an icicle to me.”
“You are right, my dear brother,” replied his sister, “Ellen knows her own mind, and is not a woman to be won by perseverance?”
“No, that is proved—well, it will be all the same a hundred years hence!”
This veritable conclusion of Mr. Arthur Lawrence’s love-tale proved that he was not matched with Ellen Lyell in heaven, where, as we honestly believe, all true matches are made.
All the Lyells—sons, wives and children remained, as was their custom on New-Year’s day, to dine with their father. The communicating doors between the rooms were thrown open. One table was arranged for the little people and their nurses, and the other for their elders.
“You see what your Aunt Ellen has done for you, my children,” said Gordon Lyell. “Mind and keep quiet, or my father will stand a chance of having rather too much of what your Aunt Ellen calls the ‘music of your voices;’ but why does he not come? I never knew him delay a dinner before. Who upon earth can this newly arrived friend of his be? Some old crone of an India merchant whom he knew forty years ago—oh, it’s that old Harvey, who was a school-mate of his and who has been consul this hundred years at ____, what do you call the place? I heard yesterday he had come home?
[p. 89]
“Whoever it may be,” said Ellen, “we should be grateful to him, for his arrival seems to have made it really a happy New-Year to my father.”
“He must be a special dear friend to reconcile my father to making another place at our small table. You know his notion of heaven, Ellen?—that there’s plenty of elbow-room there!”
“Hush, Gordon—they are coming; ring the bell for dinner, Willie!”
“Now for a reverend white head,” said Gordon, “make your best bows and curtsies, children, to grandpapa’s friend, and don’t speak above your breaths.”
The door opened and old Mr. Lyell, his face smiling all over, ushered in—not an ‘old crone,’ but a tall young man of six-and-twenty, with his head covered with bright chestnut hair—his large dark eye brightened and moistened with mingled emotions. Gordon and William Lyell sprang forward and grasped his hand. “Is it you, Mercer? My dear fellow, welcome—most welcome!”
Ellen’s first impulse was to run out of the room but her feet refused to move. She became frightfully pale, and little Nelly, whose eye, on all occasions, first turned to her aunt exclaimed, “what is the matter, Aunt Ellen?”
The exclamation produced a reaction. She rallied and the eloquent blood rushing to her check expressed the welcome she could not utter; she gave Mercer her hand: neither spoke. The awkward chasm was filled by Mr. Lyell. “Mercer deserves our welcome, boys,” he said;” he is a good man and true. He has worked hard for five years, and lived out of humanity’s reach, in China. I know what it is to live there, and here is some of the fruit of his industry—here are the documents.” Mr. Lyell threw on the table a parcel of papers. “He has paid his debt to me, with interest and compound interest—God bless him!”
“A little too much of this, my dear Mr. Lyell,” said Mercer, deprecatingly.
“Not a syllable too much; my children and grandchildren shall know who, of all men living, they should most love and honor.”
“This is much more,” said Mercer, rather embarrassed by Mr. Lyell’s excessive enthusiasm, “than an act of simple honesty deserves.”
Not a bit—not a bit. Simple honesty do you call it? Well—yes, paying one’s debts is simple honesty; but I can tell you it is the rarest of virtues now-a-days. You have not heard of repudiation out in China, have you? our new way of paying old debts. I hate these new fangled words and doings. But come, come to dinner, my children.”
A few days after when Ellen imparted to her loving maiden Gretchen, the secret of her engagement to Haskett Mercer, “Ah, ha! Miss Ellen,” she said,” I knew when that mysterious desk came the true love would soon come after it. Remember the waning-moon of New-Year’s morning, and don’t laugh at my country signs again.”
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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New-Year's Day
Subject
The topic of the resource
Stock market speculation, love, and marriage.
Description
An account of the resource
A young man borrows money from his intended fiance's father and, after the stock market collapses, is estranged from her and family. Unbeknownst to the other, he works to repay her father, and she remains true to her love for him.
Creator
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Sedgwick, Catharine M.
Source
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Columbian Lady's and Gentleman's Magazine (February 1846): 83-89.
Publisher
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Edited by John Inman and Robert A. West
Date
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1846
Contributor
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Heather Harman; D. Gussman
Relation
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Also collected in The Gem of the Season for 1849. New York: Leavitt, Trow & Co., 1849.
Language
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English
1846
Braubach Castle
China
Columbian Lady's and Gentleman's Magazine
expiation
Germany
gift giving
grandchildren
laurestina (tree)
Love
marriage
New Year's Day
omens
repudiation
servants
Siblings
singlehood
speculation
stock market
-
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47eac4d2e188a6c2c969113dc31829e9
Dublin Core
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Title
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1840
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
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THE BEAUTY OF SONINBERG. (A LETTER from WIESBADEN.)
_____
By Miss Catharine M. Sedgwick, Author of ‘Hope Leslie,’ &c.
_____
MY DEAR J ----: You have often laughed at me for my ‘knack,' as you call it, of picking up stories by the way-side. Certainly my sympathies are not more diffusive than yours, but I am a more patient listener. You have but to listen to get those little personal revelations every one is ready to make, if you but touch the electric chord aright that binds you to your humble fellow-beings.
In going from Brussels to Waterloo a few weeks since, I took a seat on the box beside the coachman—a frank true-hearted looking youth—for the advantage of gaining answers to the questions that are constantly occurring to the traveller in a scene so full of novelty as is every part of the Old World to an American eye. Before he set us down again in Brussels, he had told me a history of personal hopes, projects and disappointments, that with a little skilful spinning would have furnished warp and wool for an octavo volume, with an appendix of ancestral anecdotes that he had better have effaced from the family archives. This will be a pretty good proof to you that I have not foregone my habits in crossing the ocean, but here at Wiesbaden I am cut off from their indulgence by my ignorance of the language. That does not, however, quite isolate me, for by a lavish use of half a dozen words that are common to the English and German, and by gracious tones and a decent kindness in return for the devotedness of the ‘Mädchen’ who attends us, I am so far in favor that I am sure she would confide to me her ‘petite belle histoire’ if she has any. ‘If!’ shame on that hypothetical ‘if!’ No one could hear the gentle tone of my good friend Cristine's voice, or see how easily the unbidden tear comes to her eye,* (her only eye, for in common with a large portion of her country-people she sees but with one,) without being sure that Cristine, though now in the depths of shady forty, might tell as ‘ower true tale’ of her losses. However, the period for the egotism of love is long past, and Cristine, instead of damming up her feelings to fret and wear inwardly, permits them to flow out in all kindly sympathies.
I just saw her in a position to illustrate this gracious disposition. She was standing on the platform of the well before the Duke of Nassau's new palace. She had filled her tub with water, and with the aid of a friend (these people by a sort of general social compact always interchange this kind office) had placed it on her head. My attention was arrested by seeing Cristine, who is no dawdler—no loiterer—stopping to listen to this friend, and as I came near enough to see her friend's face, I thought I too would have stood with the tub of water on my head, or up to my throat in the fountain, if necessary, to listen to the earnest speech of this peasant girl who had one of the sweetest faces I ever saw—and her whole heart was in it. I think she cannot be more than nineteen, but I will ask Cristine, and perhaps she will tell me some particulars of the girl's history, for Cristine, like all sympathizers, likes to tell as well as to hear. If I were a painter, I would paint them just as I saw them, the well and all. The girl in the peasant's dress, the dark blue woollen full petticoat fluted from top to bottom as neatly as a French frill, the close boddice, and the snow-white chemise sleeves. Her hair was (as is every creature’s of woman-kind’ in Germany) long,
[p. 235]
thick, and neatly combed and braided. But that of this gifted girl is longer and thicker than I have often seen, and of a rich full brown, darker than the national hue. She had, in common with other peasant-girls, a black silk cap covering just the back of the head, made of ribbon and with half a dozen streamers, or rather ends, for they only hang over the back of the neck. Cristine's friend's cap had a trifle of embroidery, and was garnished with beads; indeed I remarked in her whole dress an attention to becomingness that indicated a village beauty—a dressing for the world's eye, or, I should rather think, from a certain symptomatic ‘careless desolation’ in her manner, that the eye, for which she employed the limited art of the toilette, was all the world to her. She stood with her hand on Cristine's shoulder. I hardly knew which countenance I liked the best. The peasant-girl was evidently absorbed in some precious interest of her own at stake, while Cristine's honest kindly face expressed that entire unconsciousness of self and sympathy with another, that I fancy must characterize an angel's. I stood rivetted, gazing at them till Cristine caught my eye; and as I, unluckily, reminded her of the waiting mistress and home, and her diverse forgotten household duties, she murmured over and over again “Ja—ja—ja—wohl”, (“Yes—yes—yes—sure) and hastened homeward; and her friend too left the well.
This stone-well is to me the most interesting of the locales of this pretty town of Wiesbaden; an aqueduct brings to it from the Taunus Hills (a distance of a league and a half) an abundant supply of pure, soft and wholesome water. There is a stone column in the centre, surmounted by a lion grasping the arms of Nassau. The water rises within this column, and pours through ever-flowing pipes into a large reservoir. This is surrounded by a rudely carved curb, and a platform. Standing on this platform and leaning against the curb, you may see the maidens of Wiesbaden at all hours of the day, gossipping while their tubs are filling. Innocent gossip it is I am sure, from their sweet, low-toned voices and perennial good humor. Why is it, dear J--, that a well is linked with our poetic associations? Is it because it recalls home, and the thought of home unseals the fountain of poetry in the soul? Or is it because a well is a common feature in these Oriental stories that first awakened the poetic powers of our imaginations? The scene of the first love- story we probably ever read, the sacred story of Isaac and Rebecca's courtship, is, you know, at a well. Whether the well owes its immaterial beauty to all these sources I cannot say, but I never see one—whether it be like our own most rustic structures, composed of a single curb-pole and old oaken bucket, or like that which we went to see among the Carisbrook lions, or like that beautiful one of stone I saw the other day (still in perfection) among the ruins of Marksburg, or like this of Nassau–with- out seeing for the moment much more than the eye can see, and hearing more than the ear can hear. I listened for an instant, and then quickened my steps after Cristine.
By the way, I wonder no one has ever thought to drill young ladies into a graceful gait, by making them walk with burdens on their heads. I do not see but the German ladies go shooling and shambling along much in the fashion of other ladies, while the peasant-girls with large market-baskets piled with vegetables, or tubs of water containing three or four pails full, walk with a true, light step, and a quiet grace that a fine lady might envy, but could scarcely equal. I overtook Cristine, before she reached our door steps. I communicated my desire to know her friend's story, and she was willing enough gratify it, but I could comprehend but one word—and that word one which every woman would understand as, Falstaff knew the heir apparent, ‘by instinct’—“Liebehaber”—“Ah! a lover in the case, Cristine. Then I understand why the spoke so eagerly and you listened so patiently. # # #
I have just returned from a walk to the Weeping Oak. Its name indicates its peculiarity. It stands a little off the high road to Schwalbach, in advance of a wood of dwarf pines, and seems a fit type of the monarch of a fallen dynasty. The bark and boughs have the characteristic ruggedness and nodosity of the oak; and there is something touching in the drooping of the magnificent old limbs. It affects you like seeing an old man in sorrow and tears, and if you were ever inclined to believe the fanciful theory that gives to every tree a spirit, I am sure the old oak would persuade you to this faith.
I set off alone, and passing the Koch-brunnen, where these boiling waters are forever steaming up from their great cauldron, I turned into the Acacia walk, and out of it as soon as I could; for there is something in this long formal walk between pretensionary little trees, that are so trimmed as to look like barber's poles with a bushy wig on top, that is particularly disagreeable to me. At the foot of the Geisberg is a station for asses. Here these miserable animals, whose sad destiny in this world, it seems to me, must have some unforeseen compensation, stand all day awaiting the pleasure of the Wiesbaden visiters. I wish I could sketch them for you, with their grotesque calico housings, and their attendants, men and boys, in their dark blue blouses, lounging round them. Even these ass-drivers, the lowest class of hacks, importunate by profession, here partake the national good manners, and never importune you. If a look expresses a wish for them, they spring to your service, but they do not beset you with offers. So, thinking me probably no wiser than I should be for walking when I might ride, they let me pass, unmolested, up the Geisberg ascent.
The name of Wiesbaden—meadow-baths—describes its position. It is a little interval in the lap of the hills, and the Geisberg is one of the prettiest of the elevations that surround it. In our country, where, if we would have a rural walk, we must scramble over fences, and think ourselves fortunate if we can find a foot-path skirting a ploughed field, we can have no idea of the facilities an old country furnishes for this blessed recreation. Here there are no enclosures, no fences or hedges, and however devious your taste may be, you are sure of finding a path to wander whither you will.
I turned from the high road and wound round a plantation attached to an agricultural school. Orchards were on the slopes below me, and bits of rich green in the valley, while on the opposite hills the many colored crops were spread out much like pattern silks in the shop window. From the town rose up the vapor that is always steaming up from the boiling springs; and as I mounted higher, my eyes caught the spires of Mayence, and the gleaming Rhine, and away went my thoughts with it to the sea, and over the sea, and I had forgotten Wiesbaden and all that belong to it, till I found myself again on the high road, and not alone there. A sturdy young man passed me with the pack on his back which denotes the pedestrian traveler. He seemed wholly occupied with his own emotions, and though after passing me he often turned, stopped and looked back, he was evidently unconscious of my presence. His eyes saw only what his heart was full of, and, as he frequently passed his hand over his eyes as if to clear his vision, I came to the natural conclusion that he was leaving his home—that seeming to me, just now, the saddest circumstance of life. The traveller was attended by a little terrier dog, who seemed to me not quite to have made up his mind whether he would attend his master or not, for every now and then he turned and retraced his steps toward Wiesbaden, with his nose to the ground and his tail down, stopping and looking first toward the traveller and then toward his home, as if he were not sure which was the right way to pursue, having a divided love, or a divided duty, which is as bad. I pitied him. Presently he sprang up on a hillock by the read-side, cocked up his ears, then wagged his tail, vehemently, barked and darted into the wood. The traveller stopped, looked after him and shook his head, as much as to say–Well! you have made up your mind at last, poor fellow!". But presently he appeared again, issuing from a foot-way which, cutting through the pine wood on our left, entered the high road between me and the traveller. The dog was followed by the peasant girl I had seen at the well. An exclamation of surprise burst from the young man. I was too far off to hear what they said, and if I had heard I could not have understood. But their action was in a universal language. I saw she had followed for a last farewell, and that farewell seemed impossible. They walked on together, her hand upon his shoulder and his arm around her waist. The poor little dog seemed frantic with joy. He had now everything he desired in life. He ran first on one side, then on the other, barking, wagging his tail, jumping first on to his master then on to his mistress, till, neither noticing him, he ran along side looking wistfully in their faces as if saying, “Now you are together, what in the world can you be sorry for?” At that moment, I doubt not, they could have envied the dog's nature and thought it a happiness to look neither before nor behind them.
I followed slowly after them till they reached the oak—the weeping oak I mentioned to you. There they stopped, and as they stood leaning against the old trunk, and in the deep shadow of its drooping branches, I thought how much stronger, firmer, more resisting is the true love of two pure hearts than even this old tree that has stood here for centuries. That will perish at last; true love never. It was a broad stretch of imagination to suppose the love of these young people of this
[p. 236]
high nature, but never mind; I honestly give you my thoughts as they came, and if you had seen these humble lovers, you would not have wondered that they embodied my abstraction of true love.
I saw this was to be the parting place. I was near enough to hear the girl's sobs, and I turned away, ashamed to be an unpermitted though an unseen spectator. I walked very slowly, and for five minutes, (it seemed to me half an hour,) I did not look again. When I did look the lover was gone, and the girl was sitting on the little embankment formed by a trench that has been dug round the oak. Her face was buried in her lap, and one arm was round the little dog, whose paws were on her knees and his head lying disconsolately against her.
I came straight home, unconscious by what way, and the moment I reached my own room, I rang the bell for Cristine, and keeping K---- by me for an interpreter, I told what I had just seen.
“Poor Grettel; poor Grettel!” she ejaculated as I proceeded; “God help her!” and when I finished she wiped away the shower of tears that had poured over her face, and smiling, said, “Never mind, Grettel has done right, and das ist besser!” ‘That is better,’ is a favorite phrase of Cristine's, and she always employs it when she wishes to express to me her entire satisfaction.
I will not set down all the particulars of my rather circumlutory conversation with Cristine, since I can very briefly tell the few circumstances explanatory of the love-scene I witnessed. It seems that Grettel lives at Soninberg, a most picturesque old village about two miles from here, close nestled under the ruins of the old castle of that name. She is the only child of her mother, a poor blind old woman, a widow who has no support comfort or solace under Heaven but Grettel.—Grettel is the Beauty of Soninberg, but as Cristine assured me, so discreet is her conduct that the old people say it is just as well her mother should be blind, for Grettel wants no eye to watch her. And she bears her honors so meekly that the prettiest girls of Soninberg are content Grettel should be first.
“But what will Grettel care for that,” said Cristine, “now Johanne is gone'.”
This Johanne, it seems, is a worthy youth who has served his apprenticeship with Leising, (our host,) a master builder here. He is a steady youth and a good workman, and having completed his term of service, including the itinerary year which is a part of every German artisan's education*[*] he was just about to set up for himself, when an unexpected course of duty and worldly advantage opened upon him, and overset all his castles in the air, beside the happy humble home which he fancied he had founded upon a rock, when Grettel promised to be its mistress.
Johanne, it seems has an uncle who went many years ago to America, and who is now a wealthy man in New-York.—He has written to Johanne that if he will come to America with his three young and orphan brothers, he will pay their passage, and take charge of their education and establishment there. For himself, Johanne said, he would not have given the offer a second thought—but the little boys! he stood in the place of a father to them, and he had no right to refuse.
“Oh! why,” he asked, “should their uncle, who had forgotten them so many years, just now remember them?”—The ‘why’ is easily told. He had lost his only son, and was too far advanced in life to hope to repair the loss.
The next thing to be done, after Johanne had made up his own mind, Cristine said, was to pursuade Grettel to go with him. “Johanne knew this would not be right, but men wereso used to having every thing their own way, that to pleasure themselves they were ready to pull down the walls God had set up.”
“Surely, surely,” Grettel said, “God would never forgive her if she forsook her old blind mother; and if in His mercy He should forgive her, she would never forgive herself!”
Johanne urged that her mother was very old—that she could live but a little while-and he must live a life-time without Grettel; that the neighbors could be kind to the old woman; that she would have a florin a month from the poor's box, beside many a casual gift when she was known to be quite alone; that his first earnings should be sent to her succor. He even went so far as to get the consent of a kind-hearted dame that the old woman should be removed to her house. Some of the neighbors, too, feeling it to be a very hard case for the lovers, joined their entreaties to Johanne's, and promised Grettel they would do all in their power for her mother. But as Cristine again and again assured me, the good child never ſaltered, and “das ist besser,” said the honest creature.
“Never, never will I bring tears from her blind eyes,” said Grettel. “God gave me to her, and till he separates us, I will not leave her.”
No arguments, no entreaties made her waver. The generous girl would not even permit her mother to know the sacrifice she was making, and when the old woman remarked that Grettel's step was heavy and her voice sickly, and begged her to take some odious nostrum, Grettel swallowed it and said nothing. “And then, when Johanne saw how good she was, he loved her better than ever, and before he went away, he said she had done right, and he did not deserve her. And for my part,” concluded Cristine, “if any man on earth gets Grettel, I think it will be more than he deserves.” By the way, our friend Cristine has contracted rather an humble opinion of the deserts of mankind; and, as often happens with ancient maidens, her charities for them contract as her sympathies with her own sex expand.
It is, as Cristine says, “a hard case.” Grettel has but obeyed the strong law of nature in setting her affections on one who, according to that law, should supersede father, mother and home, and when I think on the ease, social dignity and competence that reward the children of toil in our happy land, and see what a life of privation and hardship she must endure in this mouldering village of Soninberg, the sacrifice appears to me much greater than she knows it to be. However, she is, after all, rather to be envied than pitied. Strait and narrow is the way of self-denial, and she has entered therein—and obscure and unknown as she is, she will be one of ‘the few’ who, having resolutely chosen her duty for her law, will be rewarded with more than all the glory of this world; or even than all its love, which is a good deal more seducing.
----------
Our detention at Wiesbaden, dear J–, gives us an opportunity of seeing the strange chances of human life exemplified in the story of our poor friend of Soninberg. It is ten days since the parting at the Old Oak. When Cristine came into our room this morning, she looked haggard and sorrowful, and instead of her usual cheerful “Gutten Morgen,” she muttered something about “God's time and our time never coming together;" and before this first of Cristine's murmurings at Providence was interpreted to me, the cause of it was fully explained by her telling us that Grettel's mother was dead.
“If her poor dark life had ended but ten days ago,” Cristine said, “all would have been well enough, but now Johanne was on the sea, and who could reach him there? But it is I only, ladies, that am wicked enough to think of all this: Grettel grieving only that her mother has gone from her and thinks but of that. Grettel let the old woman believe that Johanne had gone to Frankfort to work at his trade, and was a comfort to her to think that he was just waiting to earn money enough to come back and marry Grettel. Oh! It made my heart beat as though it would come out of me when the old woman, in her last strength, rose up from her pillow and said, “Grettel, give my love and my blessing to Johanne; he is a good boy, and you will be a happy wife, and God send you as good a child for your old age as you have been to me—light to my heart when all other light was gone—God be thanked I have had you to the last—to the last.’—She sank back and did not speak again, and poor Grettel fell on her knees and said, “God be praised that I am here!’ And so I try to say to,” added Cristine in conclusion, “but indeed had it pleased God so, it would seem to work better round that the old body should have died ten days ago. But it's too late now, and so it does not signify; and poor Grettel must go on as I have done, working for others and caring for others—it's a lonesome life, ladies.”
Christine sighed deeply. It was a moment when the harness of life was galling, and though I felt how truly the poet’s words applied to her,
“With cheerful heart, and purpose pure,
So—our onward way is sure,’
I shall take a happier moment to enforce their consoling moral.
[p. 237]
I have elsewhere, my dear J----, described to you the various rural “Gast-hauser,' (guest-houses,) eating-gardens, and multiplied walks, provided about this place for the recreation of the Wiesbaden visitors. If you would lose yourself in a romantic solitude, you have but to go up the lovely valley of the New-Thal, to the forest of the New-Berg, where, in the green arched walks you will meet no one, not even such as should be found
‘In their assigned and native dwelling-place.’
Or you may mount to the old Roman water-tower, and see all these hills with their wavy outlines sloping down to Wiesbaden, and hung with vines and grain of every color, and in the distance the Rhine (its very name giving charm to the scene) for many a mile. Or if you have a town taste, and like the ‘sweet security of streets,’ you may promenade up and down the long walks in William street, where from the broad shadows of the double row of sycamores you may look out on the sunny pavement, the hotels, museum, &c., opposite to you, and the traveling post-equipages that are entering and leaving Wiesbaden, and to which it must take a long time to accustom an American eye, so that the horses without blinders, looking round as if they were on the point of speaking to you, the frightful distance between the wheel-horses and leaders, and the mystery of the safe guiding of the immense machine that comes lumbering on after him by the one postillion, shall cease to be a matter of curiosity.
Or if you like to hide yourself while you hear the din of the world all around you, you can go to the dark walks behind the colonnade. Or if you prefer ‘happy human faces,’ where there seems nothing but the spirit God has given them to make them happy, stray up the Acacia walk. There on the wooden seats you will see groups of the Bourgeois—men, women and children—looking as if they had not an anxiety or care on earth. But probably you, like myself and most of the world here, would prefer, day after day, and evening after evening, to all other resorts, the garden of the Cur-Saal. This garden, or rather pleasure-ground, occupies the whole interval between the hills from the centre of Wiesbaden to the village of Soninberg. The valley gradually narrows for two miles, and finally closes at the rocks on which the old castle of Soninberg was erected. The garden is a part of the Duke's private domain, and is kept in ducal order. You enter on each side of the Cur-saal, a public building about 300 feet long, where there are splendid apartments devoted to gambling all day and all night, excepting two or three times a week, when the roulette tables give place to music and dancing. Passing through a wood of catalpas, (unless you prefer going through the Cur-saal, and seeing the gentlemen and ladies standing round the table, losing and winning gold with apparent unconcern) you find a plot of ground behind the Cur-saal, occupied by tables and chairs, and coteries of Germans and English, regaling on Rhenish wines, coffee, cake and ices. I turned my back on all this, as usual, last evening, and took the way to Soninberg, skirting along the piece of artificial water—a clear large mirror to reflect the fine-dressed gentlemen and ladies and the far better dressed flowers that are flourishing round its brim. These gentlemen and ladies, by the by, seem to me to be travestied by a stately pair of white swans and a family of ducks that live on this water; the swans pompously sailing back and forth without an object in life, apparently, but to show off their beautiful forms and dress; and the ducks whirling and turning, and gabbling, and feeding—always feeding. But I am ashamed of an ill-natured thought here, where every living thing contributes to the cheerfulness of the scene.
Flowers, and choice ones too, are in profusion; for besides the rich fringe of geraniums, roses, pinks, myrtles and other precious plants around the edge of the water, you are constantly passing plots of heart's ease, astres, hydrangeas, strips of roses, and plantations of splendid dahlias. The walks are as intricate and multiplied as the space admits. As the valley narrows they diminish in number, and finally end in one which follows the windings of a little brook, too wide for you or me to leap, dear J----, but which H----, or any other active boy would think it no feat to jump over. It is this little brook, murmuring with a voice as soft and low as a German woman's, that gives the peculiar charm to this walk to Soninberg. The scenery is tame enough; indeed you see nothing but the garden, and the hills that slope to it. But the water is natural; it has a familiar home look and sound; and the tree (willows, locusts and poplars) and the clematis that hangs over them, and the clusters of bright red berries, all seem to have grown there at their own will and pleasure. For more than two miles, you follow the windings of the stream, and then as you approach the ruins of Soninberg, the valley has come to an end, and you mount the side of the hill.
Soninberg was one of the fortified castles of the Middle Ages. It must have occupied an important position, commanding the only pass from the upper to the lower valley.—The remains are still extensive. Arches and fragments of wall are standing at many hundred yards' distance from the Keep, and other masses of masonry in good preservation on the height. You can hardly imagine anything more picturesque in its way than this old village of Soninberg, with its little angular rookeries of rough beams and plaster all huddled together under the protecting shadow of the castle, like a brood of frightened chickens under the wing of their mother. Some of these little dwellings are niched in an angle of the old wall; others in part built of its fragments. Here a street runs under a narrow stone arch of the old fortification; there it passes the simplest of all rustic bridges over the very little stream that gladdens the garden, and here it ends against the mouldering chapel of the castle.
These abodes of extremest poverty have at this moment a beauty and luxury that our gentlemen with their hot house graperies might envy. Between the lower and upper windows there is a grape vine in a regular festoon, and pendent from it just now (for it is a most fortunate season for the vine growers) bunches of grapes so full and beautiful that they could never seem ‘sour grapes,’ even to those who could not get them! A rich drapery,’ is it not, for these poor cottages? and some counterbalance for the luxuries of space and pure air which the poorest of our country poor enjoy. But I have forgotten in the village, that I am drawing near to the ruins, and am admonished by the rose color on the evening clouds that there is no time to loiter.
I passed through the great arched way where I suppose the port-cullis was, and ascending a steep acclivity by the side of a wall overgrown with wild plants, I went round the tower and through the labyrinthine walk, which has been formed by the Duke's order I suppose, of hawthorn and clematis, and which is a very simple and excusable bit of pretty petitesse amid these grand old ruins. I smiled at seeing here and there a table arranged with a circular seat. I do not believe the Germans could be tempted to go where there was not a table on which to set a bottle of their precious Rhenish, and half a dozen social glasses. After rambling around till I was tired, I seated myself at a projecting point, a good look-off; but instead of looking off I looked up, and directly above, seated on the ground and leaning her head against a broken wall, I saw my pretty peasant girl, Grettel. She had come here to think her own thoughts, I suppose, drawn by the mysterious sympathies of Nature that even the most uncultivated feel at some moments of their lives. And here, soothed by their maternal influence, she had fallen asleep. Her knitting-work, the ‘idlesse’ of every German woman, had dropped from her hand and lay on her lap. The delicate white flowers of a clematis that fringed the broken wall, shaded her cheek, and to complete the picture (for with the rose-colored clouds above mentioned it was a picture that might have tempted Cole's Heaven-loving pencil) the little terrier-dog was sleeping at her feet. Suddenly he awoke, raised his head, and cocked up his ears. His manner quickened my senses, and I fancied I heard a quick footstep behind a wall which intervened between me and the path. Grettel was still sleeping. A smile played on her lips. I thought she had forgotten her sorrows and was dreaming of Johanne, and I would have muzzled the little dog if I could, when he sprang up, barked and bounded off. Grettel awoke, and to a reality better than any bliss of dreams, for at the next instant I saw her in Johanne's arms.
We leave Wilsbaden to-morrow, but not till the last act in this drama of my peasant girl is played out. I have just seen Cristine in her gala dress, and with a truly fête-day face, prepared to go to Grettel's wedding, and to-morrow the happy pair set off for their home in the New World.
It seems that the good school-master of Soninberg, who, if he did not think with Helóise that letters were invented for the love-stricken maiden, was eager to make them subserve her use—at the moment of the death of Grettel's mother, wrote to Johanne at Hamburg. It had so happened that Johanne, ‘by the good will of Providence,’ as Cristine says, had failed in getting there at the time he intended, and was awaiting the sailing of an American ship. The letter reached him, and in Cristine's favorite phrase, ‘das ist besser;’ that is to say, all has ended as well as if Cristine's kind and loving heart had arranged the catastrophe.
__________
[Sedgwick’s notes]
* One is painfully struck on first going to the Continent with the prevalence of diseases of the eye among the lower classes. In an infant Charity School I visited at Wiesbaden, I think out of a hundred at least ten had diseased eyes. The women live out of doors, their babies in their laps or on the ground beside them. Bonnets are not worn by females of the lower orders of any age; there is therefore no protection for the eyes.
* [*] There is a law throughout Germany, requiring the artisan, when he has finished his apprenticeship to travel a year from city to city (visiting, if he pleases, Paris and London,) in order to improve himself in his art. When he arrives in a German town, he goes to the
herberg, a tavern kept for artisans, and there, after reporting himself to the police, finds employment. This is an admirable provision tending to facilitate the diffusion of the arts, and the enlargement of the artist's knowledge out of his art.
Dublin Core
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Title
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The Beauty of Soninberg. A Letter from Wiesbaden.
Subject
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Germany, travel, love and devotion.
Description
An account of the resource
The narrator writes a letter describing her travels in Germany, and recounts a love story about a beautiful young woman in the town of Soninberg.
Creator
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Sedgwick, Catharine Maria. [Miss Catharine M. Sedgwick, Author of 'Hope Leslie' &c.]
Source
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The Evergreen (May 1840), pp. 234-37.
Publisher
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New York: J. Winchester
Date
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1840
Contributor
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D. Gussman
Format
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Document
Language
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English
"God Soul and World"
1840
aqueduct
artisans
As You Like It
beauty
blindness
Carisbrook lions
Dogs
donkeys
Duke of Nassau
eye-disease
Falstaff
filial piety
Frankfurt
Geisberg
Germany
Goethe
Héloïse
Isaac
Kursaal Gardens
letters
Marksburg
Mothers
New York
old maid
Old World
peasants
Rebecca
Rhine
Schwalbach
servant
Shakespeare
Soninberg
Taunus Hills
The Evergreen
Thomas Cole
tourism
Travel
wells
Wiesbaden